cry. I couldnât let him know my upset. I had to be professional, even if Asher refused to be.
âThe morning writer job,â I managed to say. âI had hoped . . .â I bit my lower lip. âI had hoped that Gary would give it to me. It usually goes to the most senior production assistant and Iâve been here months longer than Anna. And Iâve been writing a lot of scripts in practice.â I trailed off, knowing I was protesting too much. But what else could I say?
I know you gave it to Anna because Asher asked you to. And you canât exactly go against the wishes of the stationâs golden son.
That wouldnât exactly go over too well.
âPiper, no one doubts your qualifications,â Richard said in a comforting voice. âYouâve been a great employee since youâve been here. Gary says youâre professional, you come in on time, you do your work without complaining, and you put in overtime whenever we ask. But a far better opportunity has come up.â
âYeah, I know. The weather producer job. Itâs funny I never saw that one posted on the job boards,â I said, not able to help the sarcastic note in my voice.
Richard studied me for a moment, then he sighed. âPiper, close the door, please,â he said.
I reluctantly got to my feet and walked over to the door, shutting it behind me like a scolded child. I didnât knowexactly what he was going to say next, but I was pretty sure it wouldnât be good.
When I returned to my seat, Richard leveled his eyes on me. âLook, Iâm going to give it to you straight. Asher is very important to our station. In addition to his mom owning the place, his father was a legend and Asher needs to continue to follow in his footsteps. Heâs a legacy. A golden boy. And heâs very good for the ratings,â Richard added with a small snort. âEspecially amongst the female demo, if you know what I mean.â
Oh, I knew what he meant all right. Unfortunately all too well.
I sighed. âYeah, butââ
But Richard wasnât finished. âProblem is, Asher isnât exactly the kind of guy who appreciates the good old nine-to-five. He tends to . . . wander. Or show up late. Or some days not at all. And thatâs been proving difficult when it comes to putting on a newscast.â He made a face. âAnyone else? We would have fired them a year ago. But we canât fire Asher.â
I rolled my eyes. âMust be nice to have that kind of job security.â
Richard held up a hand. âDonât get me wrong. Asherâs a great guy. And heâs a really talented meteorologist like his father. If he put his mind to his work, I know he would be amazing. But getting him to focus . . .â He gave me a knowing look. âAnyway, thatâs where you come in.â
âAs his producer,â I concluded.
âYes.â
âAnd this was his idea?â
â
You
were his idea. Iâve been trying to give him a producer for two years now. His mother has, too. Sheâs at her witsâ end with him. But up until today heâs refused everyone weâve offered himâeven really top candidates,â Richard continued. âSo imagine my surprise when Iâm sitting in my office, offering Anna Jenkins a writing position, and he bursts in and asks for you.â
Wait, what?
I stared at him, jaw practically on the flooras I digested what heâd just said. Not the part about Asher asking for me to be his producer. But the part where Richard was already giving Anna my job before Asher even came in.
No. Not my job. I sank back into my chair.
Her
job. It had never been mine to begin with. And if Asher hadnât stepped in . . .
Shit. Shit, shit, shit.
Richardâs eyes zeroed in on me. âLook, Piper, Iâm not going to lie. Youâd be employed as a producer. Youâd get paid as a producer. But in
H. S. Cross
Seraphina Donavan, Wicked Muse
Beverley Oakley
Laura R Cole
Chris Bunch; Allan Cole
Sharyn McCrumb
Kris Pearson
Irvine Welsh
Carolyn Arnold
Barbara Robinson