him. “Yes.”
“But why?” He looks down at the orb and then glances at the television as if the faces there can see him in this room, can hear this conversation. Lyda looks too. A little boy is saluting Partridge. His beautiful hand, his perfect face—so clean and sleek, it seems almost unreal. “What’s it like out there?” Boyd asks in a hushed voice.
“Hard to explain,” Lyda says. “I didn’t really remember the Before so I was shocked by the air, how quickly it spins things. The real sun—it’s cast-over but amazing. And the moon too—like a bright bulb in the sky. The people, the Beasts and Dusts, the deformities, the grotesque… You can’t imagine what beauty there is in their lives. Everything’s dirty and real. There’s nothing fake or sterile. It’s…life. You know what I mean?”
Boyd has started crying. Two tears streak his cheeks. He doesn’t wipe them away. He says, “I remember it. I’m a little older than you so…yes. I know what you’re talking about. I used to climb trees. I even fell out of one once and snapped a bone in my hand.” He clenches his fist. “Sometimes, when I lie down at night, I remember what it was like to fall through the air and land hard on the muddy ground. I couldn’t breathe. All the wind had been knocked out of my lungs. But I just stared up at the blue sky. There were clouds—big, fat, white clouds that seemed to be moving really fast across the sky.” He shakes his head. “Goddamn it.”
Lyda walks over to the table and puts her hand on his. “I want the detonated world. I want the truth of it,” she says. “Will you make it for me? Wind, ash, dirt, dark clouds, everything burned and charred and broken.”
“I don’t know,” he says, glancing at Foresteed on the TV screen. He’s just finished his address and is stepping off the platform. “I don’t think I’m supposed to…”
“I think you’re supposed to do what I tell you to do,” Lyda says. She’s not sure if this will work. Is this repairman above her social standing because she’s ruined, or is he below her because the baby is a Willux? The hierarchies of the Dome are strict, but this is uncharted territory for her. She flattens her voice, trying to make it sound more detached, less shaky. “Do you know who I am? Do you know who’s in charge?”
Partridge is going to speak now. He’s going to give his remarks, which will end as they always do: I hope we can all move into the future with confidence and hope. Lyda helped him with those lines. She might have to point this out to Boyd. She walks to the television and turns up the volume.
But Partridge isn’t saying what he usually says. He’s telling the people that his father’s a mass murderer; he’s calling them sheep. No—not sheep. Audience members. He’s telling them they’re complicit. He wants them to acknowledge the truth. How else can we move forward into the future? Lyda’s heart starts thrumming in her chest. We owe the survivors…ourselves. We can do better. He’s still talking—about New Eden, being forgiven… The screen goes blank.
Lyda can barely breathe. Partridge did it. He told the truth. She’s thrilled and stunned. This is a vindication. She wants to tell the mothers and all of the wretches outside of the Dome. She wants to shout to Bradwell, Pressia, and El Capitan and Helmud, He did it!
But, too, she’s scared. This means change—huge sweeping change. The future. She spreads one hand on her stomach. She’s started into her second month of pregnancy. She feels puffy, the first hint that her body’s going to start to swell. The future, the world their child will live in—it just shifted into a new shape.
She walks back to the table and looks at Boyd. “Did you…?” She can’t finish the sentence. She just wants to make sure that she has a witness. She hasn’t gone crazy.
Boyd says, “Yes.”
“Everything’s going to change,” she tells Boyd, though in the pit of her
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