Certainty by Madeleine Thien

standing in the departure lounge of the Vancouver airport. He watches as his daughter embraces his wife. They are at ease with one another, they have always been, their attachment visible for all to see. She is twenty-four years old, full of hopes, expectations, on her way to study in Europe. This is her first journey away from them.
    The fluorescent lights press against his eyes. He is brought back by his daughter’s touch. She has turned towards him, and in Matthew’s arms now she is slender and fragile. She has Clara’s face, open and generous, always perceptive. The airport, brightly lit, full of noise and chaos, falls away from them. For a moment, he is a child again, sitting on his father’s shoulders, far above the ground. This is a time before the war, the leaves in the rubber plantation are a canopy high above them, and he listens to the sound of his father’s footsteps. But the lamps go out and he is alone in the trees. The question haunts him still: To what lengths would he go to keep his child safe? How much of himself would he sacrifice? When she was young, Gail had followed him everywhere. All these years, he has tried to understand how their relationship changed. He has failed her in some way, he thinks, closed himself off in order to protect her, to protect them both. Whenever she asked about his childhood, about her grandparents and the life he lived in East Malaysia, he smiled, looked away, or brushed her questions aside. In this new country, he told himself, there would be no need to reach back into the past for consolation. He has long accepted that some questions will find no meaningful answers, some stories cannot bear repeating.
    Don’t leave
, he wants to say, holding her.
How can I help you to understand?
    Instead, he keeps his peace. And his daughter, so full of life, so young, kisses him gently on the cheek. Then she turns and walks away, disappearing through the gate.
    Inside the hut, the absence of noise wakes him. Matthew sits up, cross-legged, waiting patiently to get his bearings. Outside, the rain has stopped, and the doorway is edged in faint light. Ani is still asleep, her mouth slightly open. A jade pendant, once worn by her mother, lies beside her on a square of cloth.
    He touches her shoulder to say goodbye. One of her hands clutches the fabric of her sarong. She does not stir.
    Outside the hut, he sees the last of the sunset, a sliver of turquoise light against the curve of the hill. He follows the road, where the thin trunks of the rubber trees leave a shadow, barely perceptible. At the side of the track, almost hidden by the grass, he notices a bicycle wheel lying abandoned and he goes to examine it. Lifting the wheel in his hands, he remembers a game of
main lering
played on Jalan Campbell on a hot, dusty day, how the rains started and the wheel was forgotten. Someone found fruit on the ground, a fresh coconut, and the children broke the shell open and shared the liquid between them.
    There were other games, too.
Congkak
, played on a wooden board pitted with eight holes. Its bottom curved like a boat, one end rising up in the shape of a magical bird. To play, they’d used shells, seeds or stones, whatever was at hand. The loser would have to place the
congkak
board on his head and walk up the road and back again, the other children laughing alongside him.
    Matthew finds a branch at the side of the road and sets the wheel upright, then pauses, listening. It is a busy time of evening, yet the road is empty. Where are the trucks, the labourers returning from the plantations, people hurrying home before curfew?
    He puts the wheel in motion, using the branch to keep it steady. As he quickens his pace, the sky changes to red, to purple. The colours appear so solid, he feels that he could reach up and pull the sky down, settle it over him like a vast curtain.
    Eventually he comes to a place where the trees part, and he has a clear view down to the harbour. Below, smoke is rising from