Complete Works of Emile Zola

Complete Works of Emile Zola by Émile Zola

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Authors: Émile Zola
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reflections.
    It was thus that we reached the ball-room.
    To-morrow, brothers, I will tell you the rest. I cannot write everything now.

CHAPTER XII.
    THE PUBLIC BALL.
    OH! my remembrances, faithful companions, I cannot take a step in this world but you rise before me! When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine! How we used to ridicule them! The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by. We closed our eyes against reality. We saw, beyond the horizon, immense palaces, halls paved with marble, with lofty and gilded roofs, filled with a whole nation of young women, who danced with the utmost harmony, in a cloud of lace spangled with diamonds. Truly, we were foolish children. Now, brothers, the peasant girls have taken vengeance for our disdain.
    I beheld, from the gallery in which I found myself, a sort of oblong hall, of quite large dimensions, ornamented with faded paintings and gilding. A fine dust, raised by the dancers’ feet, ascended slowly from the floor, like a mist, and filled the place. The bright flames of the gas looked red in this cloud; everything had a vague appearance, a strange hue of old copper. At the further end of the hall, galloped a frightful circle of creatures who could not be seen distinctly; the fury of their movements seemed to communicate itself to the thick and nauseous air; in the whirl, I thought I saw the walls tremble and turn with the crowd. A piercing clamor, accompanied by a sort of prolonged roll, drowned the music of the orchestra.
    I cannot describe to you the first impressions produced on me by this place, in which each thing had in my eyes a special and unknown life. The shrill noises, the sonorous laughter bursting out like sobs, the frightful contortions of the furious dancers, the biting and suffocating odors, all came to me in a sharp sensation which filled my being with a vague terror, with which was mingled a sad pleasure. I could not laugh, for I felt my throat close, and yet I was unable to turn away my head, so delirious was the joy I experienced amid my suffering. I now understand the fascination of these exciting soirées. At the first sight one trembles, one refuses to lend himself to the terrible gayety; then intoxication comes, and, with bewildered brain, one abandons himself to the gulf. Common souls are soon won over. Those who have the strength of their dreams — dare I, brothers, count myself among them? — revolt, and, in their frankness, regret the humble dancing-floors of Provence upon which the awkward and lumbering peasant girls dance in the fresh, clear night.
    From the gallery in which we were, we could see only the general effect of the 6cene. We quitted it, descending the stairways and reaching the main floor by passing through narrow and dark passages. Arrived in the ball-room, we were forced to follow a slender path contrived between the walls and the quadrilles. All my pleasure was gone; I now felt only disgust. The women were clad in tatters, in ragged silks spangled with dirty brass; their bare shoulders were dripping with perspiration; paint, in broad pools, in long streaks, reddened and blued their skin. One of them, with an inflamed visage and a hoarse voice, turned towards me, gesticulating and shouting. What a strange, hideous face she had! I shall see it again in my bad dreams!
    I do not remember having noticed the men. They were, it seems to me, for the most part, standing straight and motionless, looking with great calmness at the tumultuous bounds of the women. I cannot tell you what kind of people they were, or if they

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