Dancing With the Virgins by Stephen Booth

Leach? Is he likely to be difficult?'
    ‘ He can be. He needs handling right. Sometimes you have to let people think they're getting their own way. ’
    ‘ Even when they aren't?'
    ‘ Well. Sometimes. You do know, don't you . . 'What?'
    ‘ It was Warren Leach's wife Yvonne who found that other woman a few weeks ago.'
    ‘ Of course — Maggie Crew.'
    ‘ She got as far as one of the fields at Ringham Edge. Yvonne Leach came across her lying unconscious under a wall. Leach himself just reckoned it was a nuisance, I think. It kept him away from his work for a bit. But this old quarry road is mainly used as a footpath now. It's a public right of way, and it runs right through the farm. When you have strangers walking past your door all the time, you can soon get to see them as an irritation. Some visitors think farmers are there as a public service, for providing toilets and telephones, or for pulling their cars out of ditches with their tractors. I can't blame Warren — not really. ’
    When Owen Fox and Ben Cooper pulled up in the Land Rover, they found two boys in a brightly lit byre. They were fussing over a Jersey heifer calf with huge eyes and long black lashes. The animal stood patiently, twitching her damp nostrils with pleasure as she was brushed on each flank until her red coat gleamed. One of the boys reached out to stroke the calf's muzzle, and she responded with a rasp of a plump tongue across his hand which made the boy smile with pleasure. Behind them, a wooden board was decorated with red and blue rosettes with long ribbons.
    ‘ Is this the calf that won at Bakewell Show?' asked Owen .
    The boys looked uncertain what to say. Maybe they had been told not to talk to strangers, thought Cooper. But the Ranger wasn't really a stranger, was he? He had been to the farm before; he knew Warren Leach. It was part of the Area Ranger's job to maintain good relations with the farmers and landowners on his patch.
    ‘ Yeah, this is her. She's called Doll,' said the older boy.
    ‘ You're Will, aren't you?' said Owen. 'I can't remem ber your brother's name.'
    ‘ He's Dougie. ’
    Owen walked slowly towards the calf, hushing her quietly as she shied away and rolled her eyes at him. The boys held on to the halter nervously. But the animal calmed down when Owen began to talk to her, stroking her nose, gently following the lie of her coat along the side of her muzzle. He rubbed her shoulder to feel the firmness of the muscle and ran his hand down her spine. The calf relaxed under his touch.
    ‘ She's a beauty, lads. In superb condition. She's a real credit to you.'
    ‘ Thanks,' said Will. Dougie appeared to be about to add something, but changed his mind .
    Both boys seemed shy, but the younger one was particularly uncommunicative. Cooper wasn't used to silent children. There were several kids of Will and Dougie's age in his own family — nephews and nieces and second cousins. But none of them was so quiet. They were too noisy, if anything. These days, children were no longer seen and not heard. It was when you could neither see nor hear them that you began to worry, if you were a parent. That was when they were at risk .
    But these two were different. They had a reticence about them, a watchfulness that bordered on hostility, as if they had learned to be afraid of visitors.
    ‘ Will you be showing her again next year?' asked Owen .
    That seemed to have been the wrong thing to say. The boys' faces fell, and Dougie looked as though he might cry.
    ‘ Your dad will take you to the show, won't he? ’
    Will shook his head. Now Cooper started to feel uncomfortable. 'Where is your dad?' he said.
    ‘ Up at the workshop.' Will pointed to the back of the house. The two boys looked relieved when they walked away and followed the roadway to a yard, where a metallic clanging came from a shed. Owen stuck his head through the doorway. 'Warren? Good evening. ’
    Warren Leach looked up from a bench lit by a dim work-lamp. He was a man