usual traveling outfit?â
âIâm sorry, Beatrice. My crinoline is wrinkled, and the white gloves are dusty.â
âOh, boy,â Lyon said under his breath.
âI suppose Lyon and I are of a different generation,â Bea said.
âI think some people age faster than others, donât you?â
Lyon cringed back against the headrest as Bea accelerated the car to over seventy.
At the airport security gate, Robin threw her arms around Lyon and kissed him. She formally shook hands with Bea before turning to pass through the arched metal detector and down the ramp toward her flight.
Bea took Lyonâs arm and turned him away from the gate. âCome on, lover. Thereâs a murder to investigateâand right now thereâs nothing Iâd like more than a murder investigation.â
âDo I detect an emphasis on a particular word?â
The Giles home was a large white colonial with black shutters, off the Murphysville green. On the right-hand side of the second story was a small plaque which read âCirca 1760.â As they started up the walk, the front door opened and Cannon Braemer Long bustled out.
He nodded at Bea and Lyon in passing. âTerrible thing. Terrible,â he muttered as he turned down the street toward the Holy Trinity Episcopal Church.
Before the chimes had faded away, the front door was opened by a small black woman in a dark uniform and white apron. âMiz Wentworth, Mistaâ Wentworth.â
âGood evening, Hattie. Can we speak with Mrs. Giles?â
âSheâs in the bed. Iâll fetch her. Yâall go in the living room.â
âThatâs the best act since Butterfly McQueen,â Lyon said as they walked into the living room.
âWho?â
âThe actress who played the hysterical maid in Gone with the Wind .â
The room was as Lyon had expected. The beamed ceiling, wide hearth with nearby spinning wheel, and the clean functional lines of colonial period furniture created the obvious effect, and yet he had the inchoate feeling that it didnât fit.
The maid stood in the doorway with a handkerchief held to her mouth, which muffled her words. âMiz Giles be down soon.â
âThank you.â
As Hattie crossed conspiratorially toward Bea, the handkerchief disappeared somewhere up a sleeve. âBea, will you be seeing Kim?â
âYes.â
âPlease inform her that the literature has arrived from New York and the meeting has been rescheduled for tomorrow evening.â
Lyon stared at his wife as the black woman left the room. âWhatâs all that about?â
âI have the feeling that Kim is in the process of organizing a union of domestic workers. I had better see whether sheâs in violation of the stateâs little Hatch Act.â
âYouâve begun to turn into a bureaucrat since you got that job.â He walked toward the mantelpiece to admire an excellent scale replica of the Mayflower . As he did so, one hand brushed against the wall, and he turned to tap lightly against the wallboard. He looked down at his feet, on the edge of a throw rug on the highly waxed flooring.
Several years before, the Wentworths had purchased the decrepit house on the promontory and named it Nutmeg Hill. Room by room, as their finances allowed, they had restored the structure. Each peg, each section of plaster, had become as familiar to Lyon as his own face in the morning mirror.
This house was not of that ilk. In fact, nothing in the house was as it seemed: from a caricature of a maid who dropped her obsequiousness at will, to plasterboard walls and floor planking laid closer to 1960 than to 1760. He ran his fingers along the under edge of the cobblerâs bench coffee table and felt machine-milled nails and belt-sanded wood. Not only the house but also the furniture and probably the plaque on the outside wall were reproductions ⦠the ultimate compromise between a
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