of this project night
and day,â he said. An exaggeration he desired to be plain fact. âCan I show you some of Sudekâs photographs later on? In a book, I mean.â
âYou know what? I think Iâve seen a few. In a museum. It may have been here in London. He likes to photograph eggs. Eggs and glasses of water, is that him?â
âThatâs Sudek.â
âI remember an egg with a crust of bread. He mightâve gone without food some days. In childhood. During the war. Did he?â
âI donât know.â
âI guess you havenât researched that part yet.â
âIâll definitely look into it.â
âDo you take a lot of photographs yourself?â
âSince I was in grade school.â
âAre you a professional, though? Along with the teaching you told me about? Not that teaching isnât enough. Just naturally curious.â
âIâve sold a few photographs. Not often. I consider myself a serious photographer. I have two Nikons. But my favorite is a Rolleiâa Rolleiflex with an
f
/28 lens. Itâs the kind with the viewer on top, you look down into it, like this.â He demonstrated by pretending to snap a picture of her. âAll three cameras paid for in full at time of purchase.â
âSo, you take photographs where, London?â
âMainly Prague. Iâve been to Prague often. I take a lot of pictures in Prague.â
âMay I see some of those?â Maggie noticed his hesitation in answering her. With the exception of his Sudek tour, ninety percent of the photographs David took in Prague were of Katrine Novak. âJust to see what the city looks like?â
âReally?â
âOnly if you like.â
Maggie finished half a piece of toast, drank some orange juice. The waitress stopped by, refilled their coffee. âDavid, Iâve got big news,â she said. âIâm on an expense account.â
âOh, come on. Iâm not the starving-artist type.â
âSo what if you were? Why should you pay for something neither of us has to pay for? Let Dalhousie University pop for breakfast.â Maggie stood up. David remained seated. âIâve got to run,â she said.
âIâm not taking this for granted. Can I see you tonight?â
âTake for granted? Believe me, Iâd see that coming a thousand miles away.â The waitress delivered the bill and Maggie signed for it. âThe ensembleâs performing tonight, eight P.M. , Queen Elizabeth Hall. Are you interested? I can arrange a seat directly in front of Miss Brockman and her cello.â
âI am interested, but I teach tonight.â
âWhat time is class over with?â
âTen. Maybe ten-fifteen.â
David stood; Maggie leaned down and kissed him lightly. âLetâs see, thereâs the reception. Iâm obligated there. This and that. May I expect you in my bed by, oh, say, eleven-thirty?â
âIf theyâd give me the key, Iâd be waiting in your room.â
âThey wonât,â she said. âYouâll tell me about your class. Iâll tell you about the concert.â
âWorried there wonât be things to talk about?â
Ignoring this, Maggie said, âTonightâs our one concert in London. Noon tomorrow, itâs off to Copenhagen. Can you drive me to Heathrow?â
âOf course.â
âI donât take it for granted, you know.â
âYouâre so beautiful I can hardly look at you, except I canât help it.â
âTemporarily smitten, due to a successful night. No matter; I definitely,
definitely
want to feel beautiful when you say it. But I canât yet. We just met, sort of. Besides, you donât have to say it. I look in mirrors like anyone. I know what I am.â
âI could meet you in Copenhagen.â
âYou donât have a wife, do you?â
âWhat?â
Maggie looked toward
L.D. Roberts
Laura Marie Altom
Nancy Bush
Leanna Ellis
Desiree Holt, Allie Standifer
Gary Paulsen
Ashlyn Macnamara
Lesley Cheetham
Sophia James
Jack Gantos