floor-to-ceiling bookshelves along one wall; pretty porcelain lamps grace two tables, skirted in pale-green silk, which stand on either side of the sofa. Some of my watercolors line the walls, and above the sofa hangs the portrait in oils of the twins I painted two years ago. Another oil, this one of Andrew, takes pride of place above the mantelpiece, and so my husband and children keep me company here the entire time, smiling out at me from their gilded frames.
All in all, it's a charming room, pleasant and inviting, with its wash of white and pale greens, a room which benefits from a great deal of sunshine in the afternoons because of its southern exposure. Yet it has a restful feeling to it, especially at this hour of the day when the sun has set and twilight begins to descend. It is one of my favorite corners of Indian Meadows, and as with the rest of the house, decorating it was a labor of love on my part.
Sitting down at the country French bureau plat , I pulled the phone toward me and dialed our apartment in New York. After speaking briefly to Diana, I wished my children a loving good night, told them I would see them tomorrow morning, and hung up.
Rising, I crossed to the sofa, stretched out on it, and picked up the book I was reading. This was two novels in one volume, Cheri and The Last of Cheri by Colette; I had always had a love of her books, and lately I had begun to read her again. And so quickly I found my place, looking forward to becoming a captive of this author's imagination once more.
I had read only a couple of pages when I heard the sound of a car in the driveway. Putting the book down, I got up and hurried to the window, glancing at the carriage clock on the mantelpiece as I did, asking myself who it could be. Very few people came calling on me unannounced, especially at night.
Although the bright summer sky had dimmed considerably, it was still light, and much to my surprise, I saw Andrew alighting from the back of the car, his briefcase in his hand. I dropped the lace curtain, flew out of the room, and tore down the staircase at breakneck speed.
We met, he and I, in the long entrance gallery and stood staring at each other.
He had his luggage with him, and I exclaimed, "You came straight from the airport!" My surprise at his sudden unexpected arrival was quite evident.
"That's right, I did," he answered, eyeing me carefully.
I gazed back at him, searching his face, trying to determine his frame of mind; I wondered if he was still angry with me. I saw nothing but love and warmth reflected there, and I knew instantly that everything was all right between us.
My eyes remained fixed on his face as I asked, "But what about Jamie and Lissa, and your mother and Jenny? How are they going to get out here?"
"I've arranged for a car and driver to pick them up tomorrow morning, very early," he explained, and moving toward me, he took hold of me, drew me into his arms, and embraced me tightly. "You see, I fancied an evening alone with my wife."
"Oh, I'm so glad you did," I exclaimed, clinging to him harder.
We stood holding each other like this without speaking for a second or two. Eventually I said quietly, "I'm sorry for being petty about Jack Underwood, or rather, about his girlfriend. I don't mind if they come for the Fourth, really I don't, Andrew."
"I was petty too, Mal. Anyway, as it turns out, Jack can't come after all. He has to fly to Paris on business, and Gina wouldn't dream of coming alone. Listen, I'm sorry we quarreled. It was my fault entirely."
"No, it was mine," I protested, genuinely meaning this.
"Mine," he insisted.
We pulled apart, looked at each other knowingly, and burst out laughing.
Bending toward me, Andrew kissed me lightly on the mouth, then taking hold of my arm, he said, "Let's have a drink, shall we?" And so saying he propelled me in the direction of the kitchen.
"What a good idea," I agreed and looked up at him, smiling broadly, happy that all was as it should be
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