paper as he went. You need a felt tip, Cath thought, trying to read his handwriting upside down from across the table. When he handed her the notebook, she could hardly read it, even right side up.
“What’s this word?” she asked, pointing.
“Retinas.”
She’s standing in a parking lot. And she’s standing under a streetlight. And her hair’s so blond, it’s flashing at you. It’s burning out your retinas one fucking cone at a time. She leans forward and grabs your T-shirt. And she’s standing on tiptoe now. She’s reaching for you. She smells like black tea and American Spirits—and when her mouth hits your ear, you wonder if she remembers your name.
“So…,” Cath said, “we’re doing this in present tense?”
“Second person,” Nick confirmed.
Cath frowned at him.
“What’s wrong?” he asked. “You don’t like love stories?”
Cath could feel herself blushing and tried to stop. Stay cool, Little Red. She hunched over her bag to look for a pen.
It was hard for her to write without typing—and hard to write with Nick watching her like he’d just handed her a hot potato.
“Please don’t tell Mom,” she giggles.
“Which part should I leave out?” you ask her. “The hair? Or the stupid hipster cigarettes?”
She pulls meanly at your T-shirt, and you shove her back like she’s twelve. And she practically is—she’s so young. And you’re so tired. And what is Dave going to think if you walk out on your first date to take care of your stupid, stupidly blond, little sister.
“You suck, Nick,” she says. And she’s reeling. She’s swaying again under the streetlight.
Cath turned the notebook around and pushed it back at Nick.
He poked his tongue in his cheek and smiled.
“So our narrator is gay…,” he said. “And he’s named after me.…”
“I love love stories,” Cath said.
Nick nodded his head a few more times.
And then they both started laughing.
* * *
It was almost like writing with Wren—back when she and Wren would sit in front of the computer, pulling the keyboard back and forth and reading out loud as the other person typed.
Cath always wrote most of the dialogue. Wren was better at plot and mood. Sometimes Cath would write all the conversations, and Wren would write behind her, deciding where Baz and Simon were and where they were going. Once Cath had written what she thought was a love scene, and Wren had turned it into a sword fight.
Even after they’d stopped writing together, Cath would still follow Wren around the house, begging for help, whenever she couldn’t get Simon and Baz to do anything but talk.
Nick wasn’t Wren.
He was bossier and more of a showboat. And also, obviously, a boy. Up close, his eyes were bluer, and his eyebrows were practically sentient. He licked his lips when he wrote, tapping his tongue on his front teeth.
To his credit, he got over the gay thing pretty much immediately. Even when Cath gave gay-fictional Nick heavy black eyebrows and periwinkle blue wingtips.
Nonfiction Nick had trouble taking turns; he’d start to take the notebook out of Cath’s hands before she was done writing, and her green pen would pull across the page.
“Wait,” she’d say.
“No, I have an idea—and you’re about to ruin it.”
She tried hard to make her paragraphs sound like Nick’s, but her own style kept leaking through. It was cool when she realized he was imitating her, too.
After a few hours, Cath was yawning, and their story was twice as long as it needed to be. “This is gonna take forever to type up,” she said.
“Don’t type it, then. We’ll turn it in like this.”
Cath looked down at the green-and-blue-smudged pages. “It’s our only copy.”
“So don’t let your dog eat it.” He zipped up a gray hoodie and reached for his ratty denim jacket. “It’s midnight. I have to clock out.”
The book cart next to their table was still heaped with books. “What about these?” Cath asked.
“The
Ann B Harrison
Lisanne Norman
William Landay
William Marshall
Lane Diamond
Elle Davis
Connie Hall
Thucydides
Andrea Penrose
Dell Shannon