ready, I’ll send these letters to Goshen, Kentucky, to my children.
The sun hides behind the comforters I’ve tacked over the windows. The sounds of daytime television scream from behind the walls, from the apartment of Mimi Bruce. It sounds like The Weather Channel. What’s the point in monitoring the weather? She never leaves the house anyway. I look at the clock. 9:13 a.m. Have I really been sitting at this same spot at the table in darkness this whole time? The tips of my nails are dull after tapping them in the same spot for the past six hours. I walk to the kitchen sink andsplash water on my face and rub the sharp pieces of sleep from my eyes into the skin of my cheeks and the side of my nose. Near the sink are the remains of that one photo that survived, the one of my dead husband, Mark. If he were alive today, I’d kill him. Again. Or at least that’s what I tell myself.
The smoke alarms go off and I already know why. Mimi. If one smoke alarm in the complex goes off, they all do. I run to the front door, the sun blinding me as I step outside and hurry down the shared balcony to Mimi Bruce’s apartment next door. It’s locked. I step back and kick it in, surprised by my own strength. It makes me feel like I’m in an episode of
Law & Order
. I see the smoke in the back of the apartment. Mimi continues to watch TV with a cup of coffee in the front living room. She smiles at me. Why smile at a person who has just kicked in your front door? Her dementia’s getting worse. I run into the back where the kitchen is.
Eggs crushed in their shells burn in a frying pan with flames trying to pull the pan down. I grab a pot holder that hangs from the oven door. Black smoke collects on the walls and ceiling above the stovetop. I chuck the pan in the sink and run the water; not as bad as it could have been. But when will it be? is the question. In the corner of the sky-blue counter, coffee drips onto the hot plate, the pot not in its place.
“George Clooney called me.” Mimi walks into the kitchen, oblivious. She says his name like she’s a naughty little schoolgirl. But she’s an eighty-something-year-old, abandoned by the government in this good-for-nothing place because she can’t afford assisted living or anything of the sort. The economy ate her pension, along with her Social Security and medical benefits. Living the motherfucking American dream.
“What did he say to you?” I ask while I take a butter knife and scrape the blackened chicken fetuses from the pan into the sink.
“Who?” She forgets what she said ten seconds earlier.
“George Clooney. What did he say when he called you?”
Mimi stands, confused, in her underwear. She puts her hands in the air for no reason, the loose skin hangs from her arms and she starts to sing, of all songs in the world, she begins to sing “Somewhere Over the Rainbow.” There’s no song on this planet that I resent more. Sharp white hairs poke from her armpits, and liver spots dance with the beat. And even through the tune, I hear the battery of her hearing aid ring.
I give up on the pan and help her put her arms down. “Let’s go get you dressed, Mimi.” She follows me to her bedroom, neat with photos of her deceased husband and other family members, the ones who never come by to see her. I pick out clean clothes from her dresser and maneuver them around her paper-thin skin. She hums as the polyester covers her face.
“Is George Clooney the one who spins the wheel on
Wheel of Fortune
?” she asks.
“Yes.” I line the buttons up right. “He’s a hottie, isn’t he?”
“I don’t kiss and tell.” She winks at me and I wink back. I decide not to explain to her the need to have the coffeepot in the coffeemaker when she turns it on. I decide not to explain to her the need to get dressed after she wakes up. I decide not to explain to her the need to not leave pans and pots burning on the stove. You can explain these things only so many times before you
The sun hides behind the comforters I’ve tacked over the windows. The sounds of daytime television scream from behind the walls, from the apartment of Mimi Bruce. It sounds like The Weather Channel. What’s the point in monitoring the weather? She never leaves the house anyway. I look at the clock. 9:13 a.m. Have I really been sitting at this same spot at the table in darkness this whole time? The tips of my nails are dull after tapping them in the same spot for the past six hours. I walk to the kitchen sink andsplash water on my face and rub the sharp pieces of sleep from my eyes into the skin of my cheeks and the side of my nose. Near the sink are the remains of that one photo that survived, the one of my dead husband, Mark. If he were alive today, I’d kill him. Again. Or at least that’s what I tell myself.
The smoke alarms go off and I already know why. Mimi. If one smoke alarm in the complex goes off, they all do. I run to the front door, the sun blinding me as I step outside and hurry down the shared balcony to Mimi Bruce’s apartment next door. It’s locked. I step back and kick it in, surprised by my own strength. It makes me feel like I’m in an episode of
Law & Order
. I see the smoke in the back of the apartment. Mimi continues to watch TV with a cup of coffee in the front living room. She smiles at me. Why smile at a person who has just kicked in your front door? Her dementia’s getting worse. I run into the back where the kitchen is.
Eggs crushed in their shells burn in a frying pan with flames trying to pull the pan down. I grab a pot holder that hangs from the oven door. Black smoke collects on the walls and ceiling above the stovetop. I chuck the pan in the sink and run the water; not as bad as it could have been. But when will it be? is the question. In the corner of the sky-blue counter, coffee drips onto the hot plate, the pot not in its place.
“George Clooney called me.” Mimi walks into the kitchen, oblivious. She says his name like she’s a naughty little schoolgirl. But she’s an eighty-something-year-old, abandoned by the government in this good-for-nothing place because she can’t afford assisted living or anything of the sort. The economy ate her pension, along with her Social Security and medical benefits. Living the motherfucking American dream.
“What did he say to you?” I ask while I take a butter knife and scrape the blackened chicken fetuses from the pan into the sink.
“Who?” She forgets what she said ten seconds earlier.
“George Clooney. What did he say when he called you?”
Mimi stands, confused, in her underwear. She puts her hands in the air for no reason, the loose skin hangs from her arms and she starts to sing, of all songs in the world, she begins to sing “Somewhere Over the Rainbow.” There’s no song on this planet that I resent more. Sharp white hairs poke from her armpits, and liver spots dance with the beat. And even through the tune, I hear the battery of her hearing aid ring.
I give up on the pan and help her put her arms down. “Let’s go get you dressed, Mimi.” She follows me to her bedroom, neat with photos of her deceased husband and other family members, the ones who never come by to see her. I pick out clean clothes from her dresser and maneuver them around her paper-thin skin. She hums as the polyester covers her face.
“Is George Clooney the one who spins the wheel on
Wheel of Fortune
?” she asks.
“Yes.” I line the buttons up right. “He’s a hottie, isn’t he?”
“I don’t kiss and tell.” She winks at me and I wink back. I decide not to explain to her the need to have the coffeepot in the coffeemaker when she turns it on. I decide not to explain to her the need to get dressed after she wakes up. I decide not to explain to her the need to not leave pans and pots burning on the stove. You can explain these things only so many times before you
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