to scare her to death. Whatâs he supposed to do for a finale? Kidnap her? Rape her?â
âIâd neverâI only thought heâd keep her home nights. I thought sheâd turn to me, for help, for protection. Instead, she called you.â
The way he looked at me, I could tell Deeâs cry for help, for my help, had been bitter medicine. Yet another injury to his pride.
âAnd just what was Clay going to do to me, Ron?â
âI dunno,â he said studying the linoleum like it was a work of art. âManâs a fool. I guess he figured he could scare you.â
I thought about my time in the trunk. Especially the few moments when I hadnât known whether Clay would open it or walk away.â¦
Heâd done his job.
Ron was speaking. âI think Clayâs way past thinkin,â about me, Carlotta. Iâm afraid he really wants Dee. Iâm scared heâll hurt her.â He swallowed audibly. âI guess Iâm ready to go to the cops.â
I said, âNo reason to, Ron. Iâve taken care of the cops. Youâre going to do something harder. Tell Dee. Every nasty detail.â
âNo.â
âThen pack your bags and update your resumé, because sheâll fire your ass. You know she will, if I tell her.â
He didnât say anything, just stared into the mirror like he was saying good-bye to the best part of himself.
âDo it, Ron. Apologize. Stay with her.â
âSheâs never loved anything but the music, Carlotta.â he said, his Adamâs apple working. âShe doesnât love me.â
âShe comes back to you, Ron.â
âShe comes back.â
âMaybe thatâs her kind of love. Maybe thatâs all the love sheâs got.â
âI donât know if I can live with that,â he said.
I wasnât sure if he was talking to me or to the pale skinny man in the mirror.
âTwo days, Ron,â I said. âYou have two days to tell her, or else I will.â
I flagged a cab and went straight to the airport. No trouble changing the tickets. Fly first class, they give you leeway.
Dee called late the next night, woke me from a sound sleep. I suppose Ron will always be her lead guitar.
Miss Gibson arrived via messenger. Iâve stroked her, held her, but I canât bring myself to play her. I try, but something keeps me mute. When I touch the strings, finger a chord, Iâm overwhelmed by a sense of awe.
Maybe fear. With that precious battered guitar in hand, I guess Iâm scared that Iâve come as close to the magic as Iâll ever get.
Stealing First
Skip the Fenway franks, the mustard squished underfoot circa Opening Day 1912, the peanuts, the stale beer. If youâre after the aroma of game day at Fenway Park, go for the scent of hopeâfrail hope, fervent hope, pent-up hope.
Diluted by failure, sure, but never despair.
The two-story Coke bottles try to steal the show, but the Green Monster dominates, along with the single red-painted seat in the bleachers that marks Ted Williamsâs 502-foot home run.
You see everybody at Fenway. The suits go for the skyboxes and the 600 Club, the Joe College types aim for the bleachers, alienating the beer bums. There are always out-of-place delights, the cotton-haired lady swearing her lungs blue in the bleachers, the scruffy misfits in the rich seats.
Some seem familiar, but only because youâve seen them at the park before. Me, I semi-recognize a lot of guys, and often itâs because Iâve arrested them. I had that itchy feeling a couple of times waiting in line at the entry gates on Yawkey Way, but none of the faces screamed a warning, and nobody stopped to schmooze. The gate was jammed and noisy, edgy the way it is when the hated Yankees are in town, jacking each game up to playoff intensity.
I gave the man my ticket and pushed through the turnstyle.
Section 27, Row 12, Seat 14, a terrific seat, third-base
Unknown
Lee Nichols
John le Carré
Alan Russell
Augusten Burroughs
Charlaine Harris
Ruth Clemens
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