were walking very slowly, and he could not figure out why. Unless Red Dragon was still naked, but Tom knew Kyrie kept a bunch of spare clothes in her car. Had she been caught short for once?
"There's . . . look, Tom, you're going to think I'm crazy, but . . ."
He had to turn around, no matter how much he wanted to keep an eye on Kyrie. And then he realized all of a sudden perhaps Kyrie was delaying coming inside because she could see Anthony there behind Tom and there was something she didn't want Anthony to notice. Like the fact that she was naked. Or the fact that she could change shapes. It was a strange part of their secretive life to know a person they trusted absolutely with their business and their local connections could not be trusted to know what they truly were. But neither Tom nor Kyrie were willing to risk the reaction.
So Tom turned, away from the door, away from the parking lot, and towards Anthony, who, looking relieved to have Tom's attention at last, held the door open, stepped aside and gestured Tom towards the inside of the diner as he said, "Tom, look. It's . . . oh, this is going to sound stupid, but . . . You see, you might have to call animal control."
"Animal control?" Tom asked, as they walked the long, slightly curving hallway that led from the back door to the diner proper. They passed the door to the two bathrooms on the left, the doors to the freezer room and the two storage rooms on the right, and then found themselves at the back of the diner, looking at the newly recovered brown vinyl booths, the five remaining green vinyl booths that Tom planned to upgrade as soon as possible, and tables newly covered in fake-marble formica. Out of habit Tom counted: five tables occupied here and, from the noise, another five or six occupied in the annex—a sort of large enclosed patio attached to the diner, which had larger tables and which was preferred by college students who arrived in huge, noisy bands.
Tom took off his leather jacket, folded it and stuffed it in the shelf under the counter, then reached to the shelf under that for an apron with The George on the chest. Then felt around again for the bandana with which he confined his hair while cooking—usually to prevent hair falling on the food, though today it would also keep the grill masonry-free, as he was sure his hair was still full of drywall, grout and tile fragments.
"Look, I don't know who deals with situations like this," Anthony said. He frowned. "For all I know it escaped from the zoo or something."
"What?"
Anthony looked embarrassed. "It's an alligator. I know you're going to think I'm completely insane, but I went out there, to throw some stuff away just a few minutes ago. Because, you know, Beth didn't come in, and we don't have anyone to bus, and the kitchen trash . . ."
"Yes." Beth was the new server, and not the most reliable of employees.
"Yeah, anyway, so, I went out there to throw the stuff away, and you . . . Oh. You're going to think I've gone nuts."
"I doubt it," Tom said flatly. He'd just noticed—sitting in his favorite table, by the front window, under a vivid scrawl advertising meatloaf dinner for $3.99—the blond and incongruously surferlike Rafiel Trall. He managed to look like a refugee beach bum, even while wrapped in a grey parka and miles from the nearest ocean. Rafiel looked up at his gaze, and raised eyebrows at Tom.
"Well . . . whatever. If you think I'm nuts, fine, but I swear there was an alligator by the dumpster, eating old fries and bits of burger."
"An alligator?"
"I know, I know, it sounds insane."
And Tom, to whom it did not sound insane at all—Tom, who, in fact, was suppressing an urge to blurt out that it was nothing but a homeless gentleman known as Old Joe, who happened to be an alligator shifter—instead shrugged and said, "No, it doesn't sound insane. You know, people buy them little as pets, then abandon them."
"In restaurant dumpsters?" Anthony asked,
"There's . . . look, Tom, you're going to think I'm crazy, but . . ."
He had to turn around, no matter how much he wanted to keep an eye on Kyrie. And then he realized all of a sudden perhaps Kyrie was delaying coming inside because she could see Anthony there behind Tom and there was something she didn't want Anthony to notice. Like the fact that she was naked. Or the fact that she could change shapes. It was a strange part of their secretive life to know a person they trusted absolutely with their business and their local connections could not be trusted to know what they truly were. But neither Tom nor Kyrie were willing to risk the reaction.
So Tom turned, away from the door, away from the parking lot, and towards Anthony, who, looking relieved to have Tom's attention at last, held the door open, stepped aside and gestured Tom towards the inside of the diner as he said, "Tom, look. It's . . . oh, this is going to sound stupid, but . . . You see, you might have to call animal control."
"Animal control?" Tom asked, as they walked the long, slightly curving hallway that led from the back door to the diner proper. They passed the door to the two bathrooms on the left, the doors to the freezer room and the two storage rooms on the right, and then found themselves at the back of the diner, looking at the newly recovered brown vinyl booths, the five remaining green vinyl booths that Tom planned to upgrade as soon as possible, and tables newly covered in fake-marble formica. Out of habit Tom counted: five tables occupied here and, from the noise, another five or six occupied in the annex—a sort of large enclosed patio attached to the diner, which had larger tables and which was preferred by college students who arrived in huge, noisy bands.
Tom took off his leather jacket, folded it and stuffed it in the shelf under the counter, then reached to the shelf under that for an apron with The George on the chest. Then felt around again for the bandana with which he confined his hair while cooking—usually to prevent hair falling on the food, though today it would also keep the grill masonry-free, as he was sure his hair was still full of drywall, grout and tile fragments.
"Look, I don't know who deals with situations like this," Anthony said. He frowned. "For all I know it escaped from the zoo or something."
"What?"
Anthony looked embarrassed. "It's an alligator. I know you're going to think I'm completely insane, but I went out there, to throw some stuff away just a few minutes ago. Because, you know, Beth didn't come in, and we don't have anyone to bus, and the kitchen trash . . ."
"Yes." Beth was the new server, and not the most reliable of employees.
"Yeah, anyway, so, I went out there to throw the stuff away, and you . . . Oh. You're going to think I've gone nuts."
"I doubt it," Tom said flatly. He'd just noticed—sitting in his favorite table, by the front window, under a vivid scrawl advertising meatloaf dinner for $3.99—the blond and incongruously surferlike Rafiel Trall. He managed to look like a refugee beach bum, even while wrapped in a grey parka and miles from the nearest ocean. Rafiel looked up at his gaze, and raised eyebrows at Tom.
"Well . . . whatever. If you think I'm nuts, fine, but I swear there was an alligator by the dumpster, eating old fries and bits of burger."
"An alligator?"
"I know, I know, it sounds insane."
And Tom, to whom it did not sound insane at all—Tom, who, in fact, was suppressing an urge to blurt out that it was nothing but a homeless gentleman known as Old Joe, who happened to be an alligator shifter—instead shrugged and said, "No, it doesn't sound insane. You know, people buy them little as pets, then abandon them."
"In restaurant dumpsters?" Anthony asked,
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