professional smiles. Their wings looked a bit crumpled, but they still had a certain gaudy glamour. I smiled and shook my head, and they actually looked a bit relieved. God alone knew what my reputation had transmuted into, down here. Certainly the clerk behind his grille didn't look at all pleased to see me. He was a short sturdy type, in grubby trousers and a string vest, a sour face, and eyes that had seen everything. Behind him a sign said simply YOU TOUCH IT, YOU PAY FOR IT. The clerk spat juicily into a cuspidor, and regarded me with a flat, indifferent face.
"I don't do questions," he said, in a grey toneless voice. "Not even for the infamous John Taylor. See nothing, know nothing; all part of the job. You don't scare me. We get worse than you coming in here every day. And the grille's charmed, cursed, and electrified, so don't get any ideas."
"And here I am, come to do you a favour," I said cheerfully, carefully unimpressed by his manner. "I've come to take Madman away with me."
"Oh thank God," said the clerk, his manner changing in a moment. He leaned forward, his face suddenly pleading, almost pathetic. "Please get him out of here. You don't know what it's like, having him around. The screams and the howls and the rains of blood. The rooms that change position and the doors that suddenly don't go anywhere. He scares the Johns. He even scares the girls, and I didn't think there was anything left that could do that. My nerves will never be the same again. He's giving the hotel a really bad reputation."
"I would have thought that was an advantage, in an area like this," I said.
"Just get Madman out of here. Please."
"We'd be ever so grateful," said one of the elfin hookers, pushing her bosoms out at me.
I declined her offer with all the politeness at my command, and the clerk gave me a room number on the second floor. The elevator wasn't working, of course, so I trudged up the stairs. Bare stone steps and no railing, the walls painted industrial grey. I could feel Madman's room long before I got anywhere near it. Like a wild beast, lying in wait around a corner. The feeling grew stronger as I moved warily out onto the second floor. Madman's room lay ahead of me, like a visit to the dentist, like a doctor bearing bad news. The air was bitter cold, my breath steaming thickly before me. I could feel my heart pounding fast in my chest. I walked slowly down the empty corridor, leaning forward slightly, as though forcing my way against an unseen pressure. All my instincts were screaming at me to get out while I still could.
I stopped outside the door. The number matched the one the clerk had given me, but I would have recognised it anyway. The room felt like the pain that wakes you in the middle of the night and makes you think awful words like tumour and poison. It felt like the death of a loved one, or the tone in your lover's voice as she tells you she's leaving you for someone else. The room felt like horror and tragedy, and the slow unravelling of everything you ever held true. Except it wasn't the room. It was Madman.
I didn't know his name. His true, original name. I don't suppose even he did, any more. Names imply an identity and a history, and Madman had torn those up long ago. Now he was a sad, perilous, confused gentleman who had only a nodding relationship with reality. Anyone's reality. What drove him mad in the first place, insane beyond any help or hope of rescue, is a well-known story in the Nightside, and one of the most disturbing. Back in the sixties, Madman was an acid sorcerer, a guru to Timothy Leary, and one of NASA's leading scientists. A genius, with many patents to his name, and an insatiable appetite for knowledge. By the end of the sixties, he'd moved from outer space to inner space, to mysticism and mathematical description theory. He studied and researched for many years, exploring the more esoteric areas of arcane information, trying to discover a way to view Reality as it actually
"I don't do questions," he said, in a grey toneless voice. "Not even for the infamous John Taylor. See nothing, know nothing; all part of the job. You don't scare me. We get worse than you coming in here every day. And the grille's charmed, cursed, and electrified, so don't get any ideas."
"And here I am, come to do you a favour," I said cheerfully, carefully unimpressed by his manner. "I've come to take Madman away with me."
"Oh thank God," said the clerk, his manner changing in a moment. He leaned forward, his face suddenly pleading, almost pathetic. "Please get him out of here. You don't know what it's like, having him around. The screams and the howls and the rains of blood. The rooms that change position and the doors that suddenly don't go anywhere. He scares the Johns. He even scares the girls, and I didn't think there was anything left that could do that. My nerves will never be the same again. He's giving the hotel a really bad reputation."
"I would have thought that was an advantage, in an area like this," I said.
"Just get Madman out of here. Please."
"We'd be ever so grateful," said one of the elfin hookers, pushing her bosoms out at me.
I declined her offer with all the politeness at my command, and the clerk gave me a room number on the second floor. The elevator wasn't working, of course, so I trudged up the stairs. Bare stone steps and no railing, the walls painted industrial grey. I could feel Madman's room long before I got anywhere near it. Like a wild beast, lying in wait around a corner. The feeling grew stronger as I moved warily out onto the second floor. Madman's room lay ahead of me, like a visit to the dentist, like a doctor bearing bad news. The air was bitter cold, my breath steaming thickly before me. I could feel my heart pounding fast in my chest. I walked slowly down the empty corridor, leaning forward slightly, as though forcing my way against an unseen pressure. All my instincts were screaming at me to get out while I still could.
I stopped outside the door. The number matched the one the clerk had given me, but I would have recognised it anyway. The room felt like the pain that wakes you in the middle of the night and makes you think awful words like tumour and poison. It felt like the death of a loved one, or the tone in your lover's voice as she tells you she's leaving you for someone else. The room felt like horror and tragedy, and the slow unravelling of everything you ever held true. Except it wasn't the room. It was Madman.
I didn't know his name. His true, original name. I don't suppose even he did, any more. Names imply an identity and a history, and Madman had torn those up long ago. Now he was a sad, perilous, confused gentleman who had only a nodding relationship with reality. Anyone's reality. What drove him mad in the first place, insane beyond any help or hope of rescue, is a well-known story in the Nightside, and one of the most disturbing. Back in the sixties, Madman was an acid sorcerer, a guru to Timothy Leary, and one of NASA's leading scientists. A genius, with many patents to his name, and an insatiable appetite for knowledge. By the end of the sixties, he'd moved from outer space to inner space, to mysticism and mathematical description theory. He studied and researched for many years, exploring the more esoteric areas of arcane information, trying to discover a way to view Reality as it actually
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