Kinder Than Solitude by Yiyun Li

do something for you?”
    Superficial kindness was offered every day, innocuous if pointless, so why, Ruyu thought, couldn’t she give Edwin credit for being a good-mannered person with an automatic response to the news of a death that did not concern him? She had only known the deceased for a short time, she said, trying to mask her impatience with a yawn.
    “Still—” Edwin hesitated, looking at the water.
    “Still what?”
    “You look sad.”
    Ruyu felt an unfamiliar anger. What right did Edwin have to look in her for the grief he wanted to be there? “I don’t have the right to feel that way. See, I am a real bore. Even when someone dies, I can’tclaim the tragedy,” Ruyu said. Abruptly she changed the topic, asking if the boys were excited to see the T-shirts signed for them.
    Edwin seemed disappointed, and shrugged and said it mattered more to Celia than to the boys. “Mothers, you know?” he said. “By the way, did you grow up with a tiger mom?”
    “No.”
    “What do you think of this fuss, then?”
    If only she could, as was called for by the situation, say something witty—but rolling one’s eyes and saying witty things were as foreign to her as eight-year-old Jake’s contempt for his friend’s family, who ate the wrong kind of salmon; or Celia’s fretting over their Christmas lights, lest they seem too flashy or too modest. The freedom to act and the freedom to judge, undermining each other, amount to little more than a well-stocked source of anxiety. Is that why, Ruyu wondered, Americans so willingly make themselves smaller—by laughing at others, or, more tactfully, at themselves—when there is no immediate danger to hide from? But danger in the form of poverty and flying bullets and lawless states and untrustworthy friends provides, if not a route to happiness, at least clarity to one’s suffering.
    Ruyu looked harshly at Edwin. “I don’t think,” she said, “it is a worthwhile subject.”

4
    Midsummer in Beijing, its extreme heat and humidity occasionally broken by a relieving thunderstorm, gave the impression that life today would be that of tomorrow, and the day after, until forever: the watermelon rinds accumulated at the roadside would go on rotting and attracting swarms of flies; murky puddles in the alleyways from overspilled sewers dwindled, but before they entirely disappeared another storm would replenish them; old men and women, sitting next to bamboo perambulators in the shadows of palace walls, cooled down their grandchildren with giant fans woven of sedge leaves, and if one closed one’s eyes and opened them again one could almost believe that the fans and the babies and the wrinkle-faced grandparents were the same ones from a hundred years ago, captured by a rare photograph in the traveling album of a foreign missionary, who would eventually be executed for spreading evil in a nearby province.
    Life, already old, did not age. It was this Beijing, with its languid mood, that Moran loved the most, though she worried it meant little to Ruyu, who seemed to look at both the city and Moran’s enthusiasm askance. Moran tried to see Beijing for the first time with a newcomer’s eyes and felt a moment of panic: perhaps there was nothing poetic in the noises and smells, in the uncleanness and over-crowdedness of the city. When we place our beloved in front of thecritical eyes of others, we feel diminished along with the subject being scrutinized. Had Moran been a more experienced person, had she mastered the skill of self-protection, she would have easily masked her love with a cynical or at least distant attitude. Tactless in her youth, she could only corner herself with hope that turned into despair.
    “Of course none of them is really a sea,” Moran said apologetically as she leaned her bicycle on a willow tree and sat next to Ruyu on a bench. They were on the waterfront of the Western Sea, a manmade lake, and Moran had pointed out the direction of the other seas: the