sleeping with someone else when his wife was pregnant, and blamed her for not being affectionate enough. This was when she was working sixty hours a week to support them both because he was unemployed. He spent money on whatever he wanted and told her it was none of her business what he did. He said she was nosey. Sometimes he hit her, but she stayed with him because she wanted them to be a family. When it got worse and she finally saved some money and decided to leave him, he found it and took it. Then she found out she was pregnant again. She decided to stay. She tried to get along with him but he found every excuse he could to have a tantrum and leave the house. Sometimes he stayed away for days. It took her another year to come up with the money to take the kids and leave. She’s been really bitter about the whole thing.” “What did Moxie do to get revenge on guys like him?” “They found out how to set up websites in a way that hides the owner’s identity. Then they started creating sites about these guys telling what they had done in the past. They kept their own names out of it, but they told the truth. They used keywords so the search engines would pick up the sites and they’d come up if anyone googled the guy. Apparently it’s not illegal as long as you’re telling the truth, but it sure sends out a lot of negative energy.” “Is that what you and Sabrina were upset about?” “We weren’t happy about that stuff, but it was nothing compared to what came after it. Some Moxie members made it their mission to punish men who mistreat women. They made themselves the judges—kind of a warped worldview. It’s risky and it’s wrong and Sabrina was determined to change it. But that’s all I can say about it, and I need to get to work.” She opened the car door and got out, leaving me sitting there wondering why Tyler had told me not to let Moxie blow it. It sounded like they already had.
Chapter 10 When I got home from my meeting with Lark, I had a sudden urge to start a painting of the Moxie women. I headed out my back door to my studio in the stone carriage house remodeled by my grandmother years ago. It’s where I learned to paint in the peaceful summer mornings I spent there with Gramma during my childhood and teenage years. I hadn’t been doing much painting in the last couple of months, partly because since my pregnancy the smells of the pigments and thinners made me sick. But I was feeling good and I had a strong vision of how I wanted to portray the complex women as individuals and as a group. I knew painting them would help me get in touch with my subconscious insights about these multifaceted women. The Moxie members began to take shape as a pack of sleek panthers, elegant and strong, each with the face of one of the women in the group. I painted the faces to sharply contrast the women’s most distinct traits: Hana’s analytical impassiveness, Gayle’s vivid intensity, Lark’s confident independence, Paige’s earnest inclusiveness, and Diana’s forceful confrontation. As the painting came together, I sensed their individual strengths contributing to the group energy but fragmenting it at the same time. I was deeply absorbed when my cell phone rang. I didn’t recognize the number, but decided to pick up in case it was one of the Moxie members wanting to change an appointment. “Cleo Sims.” “Hi, Cleo. This is Brandi Peyton. I’m Sabrina Larson’s sister and I really need to talk to you.” Her warm friendly voice drew me in immediately. But wait—this was Brandi. The sister Hana had called an ungrateful brat. The sister Gayle had said Sabrina didn’t want taking care of Ian. But then again, also the sister Maria had said she and Ian think is hilarious and fun to be around. Another complicated woman added to the mix. I kept my voice neutral and gave no indication that I’d heard anything about her. “Oh, hello, Brandi. I’m sorry for what you must be going through