the bottle of fruit juice heâd taken from the cooler in his jeep. The beggar had warned him the previous evening not to come empty-handed again. He had also told him to wait until the park was less crowded in order not to chase away potential customers.
âWill you receive a guest now that itâsââ
âMy place is always open to anybody who doesnât want to know too much.â
âOkay, okay, I wonât ask so many questions tonight. But Iâd like to know how you knew sheâd be taking a walk again today. Did you use your fortune-telling? I donât have $9 by the way, let me say that from the start.â
âI donât believe in no fortune-telling,â the beggar said. âPeople want to hear their future, so I tell them. What am I supposed to do? Tell them, âDonât ask me, if you live, you find out?ââ
âSo you mean you actually canât tell fortunes?â
âBegging your pardon, young man, Iâm a man of honor. I respect my job. Fortune, thatâs just the name of the game. Ashes, jars, water, theyâre just the excuse. You must have some kind of a show for folks, something like they see in the movies. Suppose everything you say comes true, they wonât believe it, not without the hokeypokey. Like I said, fortune-telling is just the name. What I do is read faces. I read faces, all rightâeverythingâs written there.â
âWhat do you mean?â
âLetâs suppose I watch the little lady when you were talking to her. You know what I see? I see on her face she likes your pictures. Ho-cus po-cus, I know sometime soon she comes back. There, thatâs fortune-telling for you.â
âYouâre not telling me her walk was an excuse to see me, are you?â
The beggar shrugged his shoulders. âWhat do I know about the little ladyâs thoughts? Iâm not a shrink. Reasons I donât know, I just know results. But leave that now and tell me about yourself. Okay, the little lady is pretty and all, but tell me who
you
are or arenât. Where youâre coming from, where youâre going. Some kind of wanderer shows on your face.â
âYeah, something like that. Iâve come from Paranaguá and Iâm working my way back there, painting along the beach. The painting you see right there, thatâs the first one of my summer project. In fact, according to my plan, I should have finished it yesterday and be thirty miles away at my second pitch by now, but . . . Anyway, you know the rest.â
âThe picture doesnât want to be finished after you saw the little lady, eh? Oh my, the chase is always the sweetest. Itâs when you catch or get caught things kind of go sour, hey? Itâs good, son, all good. Let the painting hang around a bit longer.â
The beggar emptied his takings for the day out of the coin mug onto the mat. Filling the mug with fruit juice, he set it in front of the artist. He himself took a swig from the bottle.
âThat Paranaguá of yours, whatâs it like for begging?â
âI have no idea. And I canât say it is really âmyâ Paranaguá. Iâm from São Paulo, originally. I was at college in the U.S. for a whileâBoston, to be preciseâuntil I quit. Then I moved to Paranaguá to live with a friend of mine.â
âWhat do your folks say about you quitting college? I hear college guys make big bucks, eh?â
âMy family never had any financial expectations from me. Theyâre doing quite okay. But they did expect more of me than that. They thought I might make a good banker or something along those lines. And because it was Harvard I quit, they did make quite a fuss about it. But there was no other way; I just had to paint.â
âHar-vard, huh? My, my! Heard about that place. You told that to the little lady, I bet.â
âNo.â
The beggar stared strangely at
Kevin J. Anderson
Kevin Ryan
Clare Clark
Evangeline Anderson
Elizabeth Hunter
H.J. Bradley
Yale Jaffe
Timothy Zahn
Beth Cato
S.P. Durnin