Orient Express

Orient Express by John Dos Passos

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Authors: John Dos Passos
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himself in a narrow corridor being addressed as Amerikanski Poait and before he knew what was happening he found himself being settled in a seat in a curiously shaped room; as he was reaching for someone who spoke a known language one wall of the room rose and he found that he was on a stage facing an enormous auditorium packed with people. In the front row were broad grins on the faces of certain companions he had been with earlier in the evening. Then somebody behind his chair whispered in French into his ear that it was an international proletarian poetry festival and that he was expected to recite something. At that news the E. A. almost fainted.
    The proceedings were splendid. Not more than ten people present ever understood any one thing. Poems were recited, chanted and sung in Armenian, Georgian, Turkish, Persian, Russian, German and God knows what else. Everything was received with the greatest enthusiasm. The E. A. managed to stammer out as his own a nursery rhyme by William Blake, the only thing he could remember, which revolutionary outburst was received with cheers. The E. A. retired in confusion and in a muck of sweat, feeling that probably he had mistaken his vocation. Certainly Oh Sunflower weary of time can never have been recited under stranger conditions. After a long poem in Russian by a thin young soldier with a conical head shaved bald that made everybody roar with laughter until the building shook, the meeting broke up amid the greatest international merriment and singing and everybody started streaming home through the pitchblack streets, young men in white tunics, bareheaded girls in white dresses, strolling about without restraint in this empty world like children playing in an abandoned house, gradually swallowed up by the huge black barracklike buildings.
    On the way up the hill we passed the Cheka. The pavements round it were brilliantly lit. There was barbed wire in the windows. Sentries walked back and forth. As we walked past, trying to close our nostrils to the jail smell, the idyll crashed about our ears.
    Up at the N.E.R. there was considerable excitement. One of the relievers was with difficulty being got into his cot. Others were talking about typhus and cholera. One man was walking round showing everyone a handful of heavy silver soupspoons—Five cents apiece in American money, what do you think of that?—Are you sure they’re not plated?—Genuine English sterling silver marked with the lion; can’t get anything better’n that—Because Major Vokes bought a necklace in Batum and it turned out to be paste.
    I lay curled up on my cot listening to all this from the next room; the uneasy smell of the summer night came in through the open window with a sliver of moonlight. The street outside was empty and dark, but frailly from far away came the sound of a concertina. The jiggly splintered tune of a concertina was limping its way through the black half desert stone city, slipping in at the windows of barracks, frightening the middleaged people who sat among the last of their Things trembling behind closed shutters, maddening the poor devils imprisoned in the basement of the Cheka, caught under the wheels of the juggernaut of revolution, as people are caught under the wheels in every movement forward or back of the steamroller of human action. The jail is the cornerstone of liberty, thought the E. A. as he fell asleep.

V. ONE HUNDRED VIEWS OF ARARAT
    1. Tiflis
    The train was made up of one small passenger car jammed with soldiers and many boxcars. I sat on my bag on the station platform as it pulled in and stared ruefully at the grandiloquent order for a compartment in the sleeping-car they had given me at the office of the Commissar for Foreign Affairs. The usual ragged crowd that haunts all railway stations in the Caucasus was scuttling up and down, dragging bags and gunnysacks from one side to the other, a sweating threadbare medley of peasants and soldiers. The

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