of his mackintosh and plodded on. It was not the first time he had gone across Hungerford Bridge, but it had never seemed to him a walk to take for pleasure. Beneath him was the river and crossing the bridge were large quantities of hurrying figures like himself. Their mackintoshes pulled round them, their hats pulled down and on the part of one and all of them an earnest desire to get home and out of the wind and rain as soon as possible. It would be, thought Sir Stafford Nye, very difficult to recognize anybody in this scurrying crowd. 7.20. Not a good moment to choose for a rendezvous of any kind. Perhaps it was Hungerford Bridge in Berkshire. Anyway, it seemed very odd.
He plodded on. He kept an even pace, not overtaking those ahead of him, pushing past those coming the opposite way. He went fast enough not to be overtaken by the others behind him, though it would be possible for them to do so if they wanted to. A joke, perhaps, thought Stafford Nye. Not quite his kind of joke, but someone else's.
And yet - not her brand of humour either, he would have thought. Hurrying figures passed him again, pushing him slightly aside. A woman in a mackintosh was coming along, walking heavily. She collided with him, slipped, dropped to her knees. He assisted her up.
'All right?'
'Yes, thanks.'
She hurried on, but as she passed him, her wet hand, by which he had held her as he pulled her to her feet, slipped something into the palm of his hand, closing the fingers over it. Then she was gone, vanishing behind him, mingling with the crowd. Stafford Nye went on. He couldn't overtake her. She did not wish to be overtaken, either. He hurried on and his hand held something firmly. And so, at long last it seemed, he came to the end of the bridge on the Surrey side.
A few minutes later he had turned into a small café and sat there behind a table, ordering coffee. Then he looked at what was in his hand. It was a very thin oilskin envelope. Inside it was a cheap quality white envelope. That too he opened. What was inside surprised him. It was a ticket. A ticket for the Festival Hall for the following evening.
Passenger to Frankfurt
Chapter 5
WAGNERIAN MOTIF
Sir Stafford Nye adjusted himself more comfortably in his seat and listened to the persistent hammering of the Nibelungen, with which the programme began.
Though he enjoyed Wagnerian opera, Siegfried was by no means his favourite of the operas composing the Ring. Rheingold and Gotterdammerung were his two preferences, the music of the young Siegfried, listening to the songs the birds, had always for some strange reason irritated him instead of filling him with melodic satisfaction. It might have been because he went to a performance in Munich in his young days which had displayed a magnificent tenor of unfortunately over-magnificent proportions, and he had been too young to divorce the joy of music from the visual joy of seeing a young Siegfried that looked even passably young. The fact of an outsized tenor rolling about on the ground in an access of boyishness had revolted him. He was also not particularly fond of birds and forest murmurs. No, give him the Rhine Maidens every time, although in Munich even the Rhine Maidens in those days had been of fairly solid proportions. But that mattered less. Carried away by the melodic flow of water and the joyous impersonal song, he had not allowed visual appreciation to matter.
From time to time he looked about him casually. He had taken his seat fairly early. It was a full house, as it usually was. The intermission came. Sir Stafford rose and looked about him. The seat beside his had remained empty. Someone who was supposed to have arrived had not arrived.
Was that the answer, or was it merely a case of being excluded because someone had arrived late, which practice still held on the occasions when Wagnerian music was listened to.
He went out, strolled about, drank a cup of coffee, smoked a cigarette, and returned when the summons
He plodded on. He kept an even pace, not overtaking those ahead of him, pushing past those coming the opposite way. He went fast enough not to be overtaken by the others behind him, though it would be possible for them to do so if they wanted to. A joke, perhaps, thought Stafford Nye. Not quite his kind of joke, but someone else's.
And yet - not her brand of humour either, he would have thought. Hurrying figures passed him again, pushing him slightly aside. A woman in a mackintosh was coming along, walking heavily. She collided with him, slipped, dropped to her knees. He assisted her up.
'All right?'
'Yes, thanks.'
She hurried on, but as she passed him, her wet hand, by which he had held her as he pulled her to her feet, slipped something into the palm of his hand, closing the fingers over it. Then she was gone, vanishing behind him, mingling with the crowd. Stafford Nye went on. He couldn't overtake her. She did not wish to be overtaken, either. He hurried on and his hand held something firmly. And so, at long last it seemed, he came to the end of the bridge on the Surrey side.
A few minutes later he had turned into a small café and sat there behind a table, ordering coffee. Then he looked at what was in his hand. It was a very thin oilskin envelope. Inside it was a cheap quality white envelope. That too he opened. What was inside surprised him. It was a ticket. A ticket for the Festival Hall for the following evening.
Passenger to Frankfurt
Chapter 5
WAGNERIAN MOTIF
Sir Stafford Nye adjusted himself more comfortably in his seat and listened to the persistent hammering of the Nibelungen, with which the programme began.
Though he enjoyed Wagnerian opera, Siegfried was by no means his favourite of the operas composing the Ring. Rheingold and Gotterdammerung were his two preferences, the music of the young Siegfried, listening to the songs the birds, had always for some strange reason irritated him instead of filling him with melodic satisfaction. It might have been because he went to a performance in Munich in his young days which had displayed a magnificent tenor of unfortunately over-magnificent proportions, and he had been too young to divorce the joy of music from the visual joy of seeing a young Siegfried that looked even passably young. The fact of an outsized tenor rolling about on the ground in an access of boyishness had revolted him. He was also not particularly fond of birds and forest murmurs. No, give him the Rhine Maidens every time, although in Munich even the Rhine Maidens in those days had been of fairly solid proportions. But that mattered less. Carried away by the melodic flow of water and the joyous impersonal song, he had not allowed visual appreciation to matter.
From time to time he looked about him casually. He had taken his seat fairly early. It was a full house, as it usually was. The intermission came. Sir Stafford rose and looked about him. The seat beside his had remained empty. Someone who was supposed to have arrived had not arrived.
Was that the answer, or was it merely a case of being excluded because someone had arrived late, which practice still held on the occasions when Wagnerian music was listened to.
He went out, strolled about, drank a cup of coffee, smoked a cigarette, and returned when the summons
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