an oaf to see to on the way over and it took rather longer than I thought.â
âWhat?â says Andromeda.
âBy the wayâ¦â Perseus leans forward and beckons the sea monster closer. The sea monster advances, keeping a wary eye on the heroâs sword. Perseus, bringing his mouth close to the holes in the side of the sea monsterâs head where the ears should be, whispers, âWho is she, exactly? I seem to have lost my notes.â
The sea monster sighs and recites impatiently: âHer nameâs Andromeda. Her mother bragged sheâs more beautiful than Neptuneâs daughters.â
âAnd is she? I mean, after all, once oneâs rescued a girl I believe oneâs supposed to marry her and to be quite honest,â he glances over at Andromeda who grimaces back, âshe doesnât seem to have much idea of, you know, grooming .â
âOf all the nerve,â explodes Andromeda. âYou should have seen me three hours ago.â
âThatâs true, actually,â says the sea monster. âYou are rather late.â
âIndeed,â says Perseus straightening up and shutting his diary with a snap. âAnd now if I donât hurry Iâll be even later for my next appointment. Tuesday at three. Donât keep me waiting.â He spurs his horse inland.
âGreat,â mutters the monster, trudging into the sea without a backward glance. âAnd he promised to introduce me to that woman with the snakes.â
âWell donât imagine Iâll be here,â shouts Andromeda.
The key is in her girdle and she reaches it easily, but her numb fingers let it drop into the water. She reaches out with her foot and is momentarily distracted by its puckered aspect. Just then a wave lifts the key up by its ribbon and draws it a little further off.
Andromeda bites her lip and gazes out to sea. âHelp,â says Andromeda, weakly at first. And then, much louder, âHELP!â
The monster humps his back and dives for the ocean floor. Inland, the dust kicked up by the heroâs horse is beginning to settle. The sun is sinking. There is no one else in sight.
Scary Tiger
Have you ever had an impulse? Standing on a railway platform have you never felt the urge to give someone a little shove?
In my lunch hour Iâm waiting to cross the road to the bakerâs when I see a pregnant woman on the other side, also waiting. Woman as vessel; form dictated by function; baby-wrapping. I cross the road one way; she the other. We pass in the middle. Her eyes slide over me and away. Sheâs thinking about danger from traffic, not me. Perhaps all she sees is a shape to avoid.
As soon as I see her I want to run across and punch her in the stomach. I know . I can hear you; I know what youâre thinking. Please understand: I donât really want to, but I thought I might.
I suppose some people will assume Iâm jealous. Or unnatural. I can hear the voices. Not hear them, you understand. I donât want you to think that Iâm really hearing voices. But they play in my mind. Home movies.
I just had the thought and saw myself doing it. Her â doubling over, falling to the ground; old people stopping, gaping, shouting. Me instantly slashed in two by the knowledge of what I had done; what people thought of me.
Youâre evil , say the voices. This is exciting for them. Theyâre like a restless audience, easily bored. Iâm haunted by the people in the cheap seats; they wonât shut up.
Iâve had all sorts of jobs.
The old lady watches me weigh the potatoes. I know just how many spuds make up a pound. I havenât converted to metric and neither has she, although the scales are set to kilos.
I smile a lot at the customers. This one smiles back.
She checks the change in her purse. Her hair needs washing and I think, she doesnât do it herself; she goes once a week to the hairdresserâs; sheâd like to go
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