would not leave me, the curious tableau that had greeted me when Iâd gone into the bedroom, expecting to find one scene but astonished to find a quite different one.
âCan you describe what you saw to the jury, Officer Hill?â Mr. Singleton asked.
This: Sandrine, lying on her back, her dark, wavy hair swept up and over to her left so that it seemed to float above her, as if she were immersed in water. Sandrine with the white sheet pulled down to expose one perfect breast, its small pink nipple, the round white orb, even in death, oddly erotic. Sandrine with her right arm in repose upon the sheet, her fingers delicately holding the dried rose that had once rested in a small vase in the scriptorium. Sandrine with her lips painted and her cheeks lightly blushed, her eyes open slightly, drowsily, as if on the verge of sleep.
It was a scene that had been reflected in the glass bottles and single crystal decanter that rested on the small wooden table beside the bed, a sinister tableau that surely must have given pause to Officer Hill. Had it looked to her, I wondered now, as if Sandrineâs body had been purposely arranged in this way, a peaceful death in appearance but, in reality, something else?
The answer to this question was not long in coming.
âNow Officer Hill, confronted by this . . . scene . . . did you ask Professor Madison if this was exactly the way heâd found Sandrine Madison?â Mr. Singleton asked.
âYes.â
âWhy did you ask him that question, Officer Hill?â
âBecause it just seemed strange to me that a woman who was going to kill herself would put on makeup,â Officer Hill answered. âAnd the way everything looked, the bottles, for example. It just seemed like things had been set up. There was something that didnât look natural about it. It was more something youâd see like maybe in a movie.â
Arranged âlike maybeâ in a movie indeed, I thought, and so it had certainly been Officer Hillâs duty to explore the possibility that Sandrineâs death might have something of ritual about it. Had she tentatively entertained the possibility that weâd been members of a satanic cult, Sandrine a human sacrifice?
âWould it be fair to say that it was because of these things that you began to view the bedroom as a possible crime scene?â Mr. Singleton asked.
It would indeed be fair to say this, for as her continuing testimony made clear, Officer Hill had done just that.
âWhen you returned to the Coburn police station, did you make these observations known?â Mr. Singleton asked.
âYes, sir.â
âTo whom did you speak?â
âI spoke to the duty officer, and he called Detective Ray Alabrandi,â Officer Hill said. âDetective Alabrandi subsequently came to police headquarters and I told him what Iâd seen in Mrs. Madisonâs bedroom.â
âAnd what was Detective Alabrandiâs conclusion?â
âSame as mine, that the coroner should be called right away,â Officer Hill responded. âThatâs what he told me he was going to do.â
âYou felt the coroner should be called in right away?â
âYes, I did.â
âBut the coroner would have been called for in any event, wouldnât he, Officer Hill?â Mr. Singleton asked. âBecause Professor Madison had already mentioned that the yellow piece of paper beside her bed might have been a suicide note.â
âYes,â Officer Hill answered. âIf thereâs any reason to suspect a suicide, then there has to be an autopsy.â
âBut you wanted to make sure that this official inquiry began right away, didnât you, Officer?â Singleton asked.
âYes.â
âWhy is that?â
âI donât know,â Officer Hill answered. âIt was just an . . . itch.â
Singleton smiled. âThank you, Officer Hill, for your work on behalf of the
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