Scrivener's Moon
on to those tusks to steady himself as the thing started to lumber around the edge of the arena. “I’m Borglum,” he announced. “A travelling man. My legs are short, but long leagues lie behind me. All over the wild northlands this circus of mine has rolled, and everywhere we go there we find war. Little wars and big, my friends, old wars and new. Those nomad empires are forever a-squabbling, sending forth their landships and their valiant soldier-boys. And people ask, ‘Why? How is it that these wars keep happening?’ Like wars are freaks of nature that fall all unbidden on poor human beans.”
    The audience shifted, fidgeting, wondering when Borglum would come to the point. The freaks of nature they wanted to hear about were the grisly crew lined up behind him; a hairy giant and an armoured dwarf, a bone-white snowmad sword-boy, that night-black, blindfolded amazon. The points they were interested in were on the racks of swords and nameless spiky things which his mutant roadies were setting up at each end of the ring like vicious fences.
    But Borglum knew the value of a good build-up. “Well, my dearies,” he went on, “I’ve looked hard at war. Looked at it from outside, mind, since I don’t quite make the height requirement for any army I’ve yet met. And I can tell you why war keeps on thriving. It’s because men love it so. They do! Deep in the darklymost ventricles of all their secret hearts, blade, bone and bloodshed is what thrills ’em best. The Ancients understood. The showmen who ran their coliseums and their multiplexes knew how even the peaceablest man does long to see a little carnage now and then. So here it is, O my ladies and my gentlemen of London Town. The Amazing Borglum has prepared you a little taste of War that you can savour from the safety of your seats. . .”
    The silence of the crowd had thickened. The awning flapped heavily. Moth-wings pinged and ticked against the lantern-panes.
    “Without further ado,” cried Borglum, “we give you: The Carnival of Knives!”

6
THE CARNIVAL OF KNIVES
    hey’d practised long and hard, those mis-formed fighters Borglum had gathered to his carnival. They never did each other lasting harm, but that was not how it looked as they went at one another with cutlasses and clubs, bare hands and bladed flails. They fought one against one to begin with, and interspersed their duels with other tricks: tumbling through flaming hoops, juggling with knives. Then more fights, in larger groups, each melee choreographed like a brutal dance to the music of dinged armour and clashing blades. They knew just where to place a shallow, harmless cut to draw the most blood, and in the spiny racks of blades and maces at each end of the arena they knew where to find theatrical weapons with foldaway blades that could be used to simulate a mortal blow. The entrails which splattered the canvas floor had been bought that afternoon from a butcher’s shop, and the fallen fighters who were dragged off groaning down paths of what appeared to be their own gore would all make miraculous recoveries before the next night’s show. But the audience didn’t know that. They saw only the blood and the glinting metal; fights with nets, with fists, with flaming torches; knives buried in bellies; clubs slammed against heads, strangling chains pulled taut on straining throats.
    Fever, who knew a thing or two about theatre, guessed quickly that the blood was fake, and kept leaning across Wavey to tell her father so. Dr Crumb was appalled by the spectacle, and still more appalled by the people around him, who whooped and cheered at every blow. “Kill him!” they yelled, men and women, rich and poor, as if they were all eager to live up to Borglum’s low opinion of their appetites. “Gouge his eyes out!” they hollered, making trumpets of their hands to help the fighters hear them. “Rip her head off!” “Spill his lights!”
    Wavey laughed and clapped and shouted with the rest of

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