top rail down: the lower rail fits rather tightly and some exertion is required to free it, so he makes the animals jump that one. Then he “poddies”—hand-feeds—the calves which have been weaned too early. He carries the skim-milk to the yard in a bucket made out of an oil-drum—sometimes a kerosene tin—seizes a calf by the nape of the neck with his left hand, inserts the dirty forefinger of his right into its mouth, and shoves its head down into the milk. The calf sucks, thinking it has a teat, and pretty soon it butts violently—as calves do to remind their mothers to let down the milk—and the boy’s wrist gets barked against the jagged edge of the bucket. He welts that calf in the jaw, kicks it in the stomach, tries to smother it with its nose in the milk, and finally dismisses it with the assistance of the calf rope and a shovel, and gets another. His hand feels sticky and the cleaned finger makes it look as it he wore a filthy, greasy glove with the forefinger torn off.
The selector himself is standing against a fence talking to a neighbour. His arms rest on the top rail of the fence, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on a white cow that is chewing her cud on the opposite side of the fence. The neighbour’s arms rest on the top rail also, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on the cow. They are talking about that cow. They have been talking about her for three hours. She is chewing her cud. Her nose is well up and forward, and her eyes are shut. She lets her lower jaw fall a little, moves it to one side, lifts it again, and brings it back into position with a springing kind of jerk that has almost a visible recoil. Then her jaws stay perfectly still for a moment, and you would think she had stopped chewing. But she hasn’t. Now and again a soft, easy, smooth-going swallow passes visibly along her clean, white throat anal disappears. She chews again, and by-and-by she loses consciousness and forgets to chew. She never opens her eyes. She is young and in good condition; she has had enough to eat, the sun is just properly warm for her, and—well, if an animal can be really happy, she ought to be.
Presently the two men drag themselves away from the fence, fill their pipes, and go to have a look at some rows of forkedsticks, apparently stuck in the ground for some purpose. The selector calls these sticks fruit-trees, and he calls the place “the orchard”. They fool round these wretched sticks until dinner-time, when the neighbour says he must be getting home. “Stay and have some dinner! Man alive! Stay and have some dinner!” says the selector; and so the friend stays.
It is a broiling hot day in summer, and the dinner consists of hot roast meat, hot baked potatoes, hot cabbage, hot pumpkin, hot peas, and burning-hot plum-pudding. The family drinks on an average four cups of tea each per meal. The wife takes her place at the head of the table with a broom to keep the fowls out, and at short intervals she interrupts the conversation with such exclamations as “Shoo! shoo!” “Tommy, can’t you see that fowl? Drive it out!” The fowls evidently pass a lot of their time in the house. They mark the circle described by the broom, and take care to keep two or three inches beyond it. Every now and then you see a fowl on the dresser amongst the crockery, and there is great concern to get it out before it breaks something. While dinner is in progress two steers get into the wheat through a broken rail which has been spliced with stringy-bark, and a calf or two break into the vineyard. And yet this careless Australian selector, who is too shiftless to put up a decent fence, or build a decent house and who knows little or nothing about farming, would seem by his conversation to have read up all the great social and political questions of the day. Here are some fragments of conversation caught at the dinner-table.
Enrico Pea
Jennifer Blake
Amelia Whitmore
Joyce Lavene, Jim Lavene
Donna Milner
Stephen King
G.A. McKevett
Marion Zimmer Bradley
Sadie Hart
Dwan Abrams