Sharpe 14 - Sharpe's Sword

Sharpe 14 - Sharpe's Sword by Bernard Cornwell

Book: Sharpe 14 - Sharpe's Sword by Bernard Cornwell Read Free Book Online
Authors: Bernard Cornwell
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give Sharpe any time to react to his apparent recognition. “Come on then, Sharpe! And don’t go all jellified!”
    With that mysterious injunction Curtis found a way through the horses and Sharpe followed him. There must have been two dozen officers, at least, but they were not, as Sharpe had first thought, crowded around Wellington. They were looking at an open carriage, pointing away from Sharpe, and it was to the side of the carriage that Curtis led him.
    Someone, Sharpe thought, was indecently rich. Four white horses stood patiently in the carriage traces, a powdered-wigged driver sat on the bench, a footman, in the same livery, on a platform behind. The horses’ traces were of silver chain. The carriage itself was polished to a sheen that would have satisfied the most meticulous Sergeant Major. The lines of the carriage, which Sharpe supposed was a new-fangled barouche, were picked out in silver paint on dark blue. A coat of arms decorated the door, a shield so often quartered that the small devices contained in its many compartments were indistinguishable except at very close inspection. The occupant, though, would have stunned at full rifle range.
    She was fair haired, unusual in Spain, and fair skinned, and she wore a dress of dazzling whiteness so that she seemed to be the brightest, most luminous object in the whole of Salamanca’s golden square. She was leaning back on the cushions, one white arm negligently laid on the carriage side, and her eyes seemed languid and amused, bored even, as though she were used to such daily and lavish adulation. She held a small parasol against the evening sun, a parasol of white lace that threw a filmy shadow on her face, but the shadow did nothing to hide the rich, full mouth, the big, intelligent eyes, or the slim, long neck that seemed, after the tanned, brown skin of the army and its followers, to be made of a substance that was of heavenly origin. Sharpe had seen many beautiful women. Teresa was beautiful, Jane Gibbons, whose brother had tried to kill him at Talavera, was beautiful, but this woman was in another realm. Curtis rapped the carriage door. Sharpe was hardly aware of any other person, not even of Wellington himself, and he watched the eyes come to him as she listened to Curtis’ introduction. “Captain Richard Sharpe, I have the honour to name you La Marquesa de Casares el Grande y Melida Sadaba.“
    She looked at him. He half expected her to offer him a white-gloved hand, but she just smiled. “People never remember it.”
    “La Marquesa de Casares el Grande y Melida Sadaba.” Sharpe marvelled that he had got the words out without stammering. He understood exactly what Curtis meant by jellification. She raised an eyebrow in mock surprise. Curtis was telling her, in Spanish, about Leroux. Sharpe heard the name mentioned, and saw her glance at him. Each glance was stupefying. Her beauty was like a physical force. Other women, Sharpe guessed, would hate her. Men would follow her like lap dogs. She had been born beautiful and every artifice that money could buy was enhancing that beauty. She was glorious, tantalising, and, he supposed, untouchable to anyone less than a full-blooded lord and, as he always did when he saw something that he wanted, but could not hope to have, he began to dislike it. Curtis stopped and she looked at Sharpe. Her voice sounded bored. “Leroux is in the forts?”
    He wondered where she had learned English. “Yes, Ma’am.”
    “You’re certain?”
    “Yes, Ma’am.”
    She nodded, dismissing him, and it seemed to Sharpe that his reassurances had not been wanted, nor welcomed. Then she turned back to him and raised her voice. “You do seem so much more soldierlike, Captain, than these pretty men on their horses.”
    He was not supposed to reply. The remark had been made, he suspected, purely to annoy her gallant admirers. She did not even bother to see what effect it had on them, but merely drew a silver-tipped pencil from a

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