JanuaryâDecember
    While He Told Me
While he told me, I looked from small thing
to small thing, in our room, the face
of the bedside clock, the sepia postcard
of a woman bending down to a lily.
Later, when we took off our clothes, I saw
his deep navel, and the cindery lichen
skin between the male breasts, and from
outside the shower curtainâs terrible membrane
I called out something like flirting to him,
and he smiled. Before I turned out the light,
he touched my face, then turned away,
then the dark. Then every scene I thought of
I visited accompanied by a death-spirit,
everything was chilled with it,
each time I woke, I lay in dreading
bliss to feel and hear him sigh
and snore. Near sunrise, behind overcast, he got
up to go in and read on the couch,
as he often did,
and in a while I followed him,
as I often had,
and snoozed on him, while he read, and he laid
an arm across my back. When I opened
my eyes, I saw two tulips stretched
away from each other extreme in the old
vase with the grotto carved out of a hill
and a person in it, underground,
praying, my imagined shepherd in make-believe paradise.
    Unspeakable
Now I come to look at love
in a new way, now that I know Iâm not
standing in its light. I want to ask my
almost-no-longer husband what itâs like to not
love, but he does not want to talk about it,
he wants a stillness at the end of it.
And sometimes I feel as if, already,
I am not hereâto stand in his thirty-year
sight, and not in loveâs sight,
I feel an invisibility
like a neutron in a cloud chamber buried in a mile-long
accelerator, where what cannot
be seen is inferred by what the visible
does. After the alarm goes off,
I stroke him, my hand feels like a singer
who sings along him, as if it is
his flesh thatâs singing, in its full range,
tenor of the higher vertebrae,
baritone, bass, contrabass.
I want to say to him, now, What
was it like, to love meâwhen you looked at me,
what did you see? When he loved me, I looked
out at the world as if from inside
a profound dwelling, like a burrow, or a well, Iâd gaze
up, at noon, and see Orion
shiningâwhen I thought he loved me, when I thought
we were joined not just for breathâs time,
but for the long continuance,
the hard candies of femur and stone,
the fastnesses. He shows no anger,
I show no anger but in flashes of humor,
all is courtesy and horror. And after
the first minute, when I say, Is this about
her, and he says, No, itâs about
you, we do not speak of her.
    The Flurry
When we talk about when to tell the kids,
we are so together, so concentrated.
I mutter, âI feel like a killer.â â
Iâm
the killerââtaking my wristâhe says,
holding it. He is sitting on the couch,
the worn indigo chintz around him,
rich as a night tide, with jellies,
I am sitting on the floor. I look up at him
as if within some chamber of matedness,
some dust I carry around me. Tonight,
to breathe its Magellanic field is less
painful, maybe because he is drinking
a wine grown where I was bornâfog,
eucalyptus, sempervirensâand Iâm
sharing the glass with him. âDonât catch
my cold,â he says, ââoh thatâs right, you
want
to catch my cold.â I should not have told him that,
I tell him I will try to fall out of
love with him, but I feel I will love him
all my life. He says he loves me
as the mother of our children, and new troupes
of tears mount to the acrobat platforms
of my ducts and do their burning leaps,
some of them jump straight sideways, and for a
moment, I imagine a flurry
of tears like a wirra of knives thrown
at a figure to outline itâa heartâs spurt
of rage. It glitters, in my vision, I nod
to it, it is my hope.
    Material Ode
O tulle, O taffeta, O grosgrainâ
I call upon you now,
Ralph Compton
Dakota Cassidy
Meg Cabot
Rosemary Sutcliff
Kristina Cook
Erik Schubach
Jeff Erno
Patrick McGrath
Brendan Halpin
Annie Bryant