Strange Wine
them at once. Living and breathing and arguing personifications of the mythical “little people” who had become a household word during World War Two, the sort of/kind of elf-folk deemed responsible for mechanical failures and chance mishaps to Allied aircraft, particularly those of the British. They had been as famous as Kilroy. The Royal Air Force had taken them on as mascots, laughing with them but never at them, and in the end the gremlins were supposed to have turned against the Nazis and to have helped win the war.
    “I…I once wrote a bunch of stories about gremlins,” Noah said, the words choked and as mushy as boiled squash.
    “That’s why we’ve been watching you, Mr. Raymond.”
    “Wuh-wuh-watching muh-muh–”
    “Yes, watching you .”
    Charlie made the bratting sound again. It reminded Noah of unhealthy bowel movements, a kind of aural Toltec Two-Step, vocalizing Montezuma’s Revenge.
    “We’ve been on to you for ten years; ever since you wrote ‘An Agile Little Mind.’ For a human, it wasn’t a half-bad attempt at understanding us.”
    “There isn’t much historical data available on guh-guh-gremlins,” Noah said, off-the-wall, having trouble even speaking the magic name.
    “Very good lineage. Direct lineal descendants of the afrit. The French call us gamelin , brats.”
    “But I thought you were just something the pilots dreamed up during the Battle of Britain to account for things going wrong with their planes.”
    “Nonsense,” said the little man. Charlie hooted. “The first modern mention of us was in 1936, out of the Middle East, where the RAF was stationed in Syria. We used the wind mostly. Did some lovely things to their formations when they were on maneuvers. Good deal of tricky Coriolis force business there.”
    “You really are real, aren’t you?” Noah asked.
    Charlie started to say something. Alf turned on him and snapped, “Shut’cher gawb, Charlie!” Then he went back to Mayfair accents as he said to Raymond, “We’re a bit pressed tonight, Mr. Raymond. We can discuss reality and mythology another time. In fact, if you’ll just sit there quietly for a while I’ll knock off after a bit and let the boys carry on without me. I’ll take a break and explain as much to you as you can hold tonight.”
    “Uh, sure…sure…go ahead. But, uh, what are you writing over there?”
    “Why, I thought you understood, Mr. Raymond. We’re writing that story for the BBC. We’re here from now on to write all your stories. Since you can’t do it, I shouldn’t think you’ll mind if we maintain your world-famous reputation for you.”
    And he put two minuscule fingers in his mouth and gave a blast of a whistle, and before Noah Raymond could say that he was so ashamed of himself he could cry, they were once again bounding up and down on the typewriter.
    My God , how they worked!
     
    It was simply the Nietzschean theory all over again. Nietzsche suggested that when a god lost all its worshipers, the god itself died. Belief was the sustaining force. When a god’s supplicants went over to newer, stronger gods, belief in the weaker deity faded and so did the deity. So it had been with the gremlins. They were ancient, of course, and they were worshiped in their various forms under various names. Pixies, nixies, goblins, elves, sprites, fairies, will-o’-the-wisps, gamelins …gremlins. But when the times were hard and the technocrats rode high, the belief in magic faded, and so did they. Day by day they vanished, one after another. Whole families were wiped out in a morning just by a group of humans switching to Protestantism.
    And so, from time to time, they came back in strength with a new method of drawing believers to them. During World War II they had changed and taken on the very raiments of the science worshipers. They became elves of the mechanical universe: gremlins.
    But the war was over, and people no longer believed.
    So they had looked around for a promotional

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