the room beyond his was Juni’s. They were both Japanese, but only Juni spoke English these days, and the pair had formed a friendship because of it. It wasn’t anything romantic. Mitsui was far too old for Juni’s interest, and he would have considered it an improper relationship. Still, the pair stuck together, with Juni translating anything Mitsui needed to say. The door to Juni’s room was wide open and the walls were covered in brightly colored murals of trees, flowers, and steep mountainsides, mostly inspired by ads in the magazines she read, the pages carefully unstapled and reassembled for the pictures. Only the far wall remained unfinished, in black-and-white outlines.
General Francis Sherman’s room was at the far end of the hall. The door was shut and locked, and besides the General, only Sergeant Major Thomas had ever been inside. No one knew what Sherman kept in there, but it was a frequent topic of conversation during downtime.
Thomas refused to keep a room of his own. When he needed rest, he often slept on the couch in the facility’s entryway. He said that, should they be attacked in the night, he would hear the commotion first and raise the alarm.
Mbutu Ngasy, the air traffic controller formerly of Mombasa, Kenya, and witness to the first human attacks on record, made himself at home on the building’s roof. He’d constructed a tent out of tarp and stakes, and had found a telescope in one of the nearby abandoned stores. It was a common sight for Brewster to see the tall, wide-shouldered man crouched on the edge of the roof, watching the stars at night and plotting their courses. He said it reminded him of his old job, and made him feel at peace. Of all the survivors, Mbutu was the most mysterious. He said little unless pressed, but what he did say invariably came true. Trevor called him a psychic. Brewster didn’t think so, but he and Trev had to agree that Mbutu was definitely intuitive. He had a sixth sense when it came to danger. The group loved him for it, and when Mbutu spoke, they listened well.
Brewster was proud of his own room, and never hesitated to joke about his digs. He’d found and liberated a number of old posters—mostly of B movies, some of bands now long dead—and plastered them on the walls. Those walls he couldn’t cover were spray-painted in a dizzying array of colors. He called it his art, and jokingly claimed that once the pandemic was over and done with, his room would be a stop on a museum tour.
Whenever he had to poke his head in there, Brewster saw how Rebecca Hall’s room reflected her dual personality. She’d shoved the desk the previous occupant had used against a far wall, and laid out her medical gear on the surface in a neat, orderly fashion. Everything was perfectly arranged. A map of the United States was pinned to the wall, with red thumbtacks stuck through many of the major cities—those infected beyond hope. Yellow tacks pockmarked the map as well, denoting areas where infection was likely. Two lonely green tacks adorned the map: one stuck on the western edge of Omaha, and one over Abraham, Kansas—the two bastions of humanity that Brewster was aware of, places devoid of the virus. The other end of the room reflected her second, unpredictable side. Clothing lay scattered around the floor in heaps, some dirty, some clean, all wrinkled. Her bed—more of a cot than anything else—was up against the far wall, unmade. The covers lay half-on, half-off the mattress, and her pillow had fallen to the floor.
Trevor, like Mbutu, didn’t keep residence in the main complex. He barely slept, for that matter. He’d settled for wandering the halls at night, after most of the group had gone to sleep. He once told Brewster that when he did feel the need to rest, he would pull a chair to a window and doze with one eye open, always on the lookout for a demon to hunt.
Krueger was safe and sound in his watchtower, outside the main complex. Of all the survivors, he
Richard Branson
Kasey Michaels
Bella Forrest
Orson Scott Card
Ricky Martin
Benjamin Blech, Roy Doliner
F. Sionil Jose
Alicia Cameron
Joseph Delaney
Diane Anderson-Minshall