The Burning Soul by John Connolly

public what he or she knows, or he can leave his home and go somewhere else. Maybe he can make contact with the authorities in North Dakota and see if they will provide him with another identity, although I guess he’d have to prove that he was in some form of danger as a consequence of his potential exposure, and even then new identities aren’t handed out so easily. Look, in the end, whatever the nature of his crime, he did his time. He was a child when Selina Day was killed, not an adult. Also, if one were to be cold-blooded about it, it’s a crime that was committed a long time ago, and in another state. If his identity is revealed, there may be people in Maine who’ll react badly, but he might also be surprised by how understanding folk can be.’
    ‘All that is true,’ said Aimee. ‘But there’s one detail that Mr. Haight hasn’t shared with you yet. It’s where he’s living. Why don’t you tell Mr. Parker where you’ve made your home?’
    And I knew that this was the bait in the trap, the detail that she had deliberately held back from me, and as Haight began to speak I felt the jaws snap shut upon me, and I understood that I would not be able to turn away from this.
    ‘I live two miles from Anna Kore’s house,’ said Haight. ‘I live in Pastor’s Bay.’

5
    R andall Haight had resumed his seat in the reception area. The receptionist, shared by Aimee with the other businesses in the building, had gone home, so he was alone with his thoughts. He appeared dissatisfied as he left the room. It was there in the way that he held himself, in the pause before he closed the door behind him, the sense he gave that there was more to be said, or more that should have been said, and not by him. Our response – or possibly more correctly, my response – to his story had not satisfied him. I think that he might have been seeking some form of reassurance and consolation, not about the problem of the photographs, but about his own nature.
    It was now dusk outside, and the rain continued to fall. The lights of passing cars illuminated the parking lot, casting new shadows over the office in which Aimee and I sat. Dark patches remained in the branches of the tree. The ravens had not moved, and they made no sound. I felt the urge to take a handful of stones and force them from their perch.
    Traitorous birds. Apostates.
    ‘Well?’ said Aimee.
    We had not exchanged a word since Haight left the office at Aimee’s request so that we might discuss in private all that he had told us. The pictures of the barn doors remained on the desk. I moved them around with the index finger of my right hand, rearranging their order, as though the colors represented a code I could crack, and by doing so I would be allowed the revelation, the certainty, that I sought.
    I was wondering where the lie was. It might be that I had grown more cynical as the years went by, or it might simply have been an atavistic instinct I had learned not to ignore, but a lie was hidden somewhere in Randall Haight’s testimony to us. It could have been a lie of deceit or a lie of omission, but it was there. I knew, because there is always a lie. Even a man like Haight, who, in his youth, was party to a terrible crime, and who had just confessed as much to two strangers, reducing himself in their eyes, would hold back at least one crucial detail. If nothing else, it was human nature. You didn’t give everything away; if you did, you would have nothing left. There were those who took the view that there was a liberation in the act of confession, but mostly they tended to be the ones who were listening and not the ones confessing. The only full confessions occur on deathbeds; all others are partial, modified. The lie in Haight’s story was probably one that he had practiced, a rearrangement or omission of details that had now become crucial to his account of events, maybe to the extent that he no longer knew it as a lie at all. There had been a rehearsed