luminescent handwriting, the curator's final words glowed purple beside his corpse. As Langdon stared at the shimmering text, he felt the fog that had surrounded this entire night growing thicker.
Langdon read the message again and looked up at Fache. “What the hell does this mean!”
Fache's eyes shone white. “
That,
monsieur, is precisely the question you are here to answer.”
Not far away, inside Saunière's office, Lieutenant Collet had returned to the Louvre and was huddled over an audio console set up on the curator's enormous desk. With the exception of the eerie, robot-like doll of a medieval knight that seemed to be staring at him from the corner of Saunière's desk, Collet was comfortable. He adjusted his AKG headphones and checked the input levels on the hard-disk recording system. All systems were go. The microphones were functioning flawlessly, and the audio feed was crystal clear.
Le moment de vérité,
he mused.
Smiling, he closed his eyes and settled in to enjoy the rest of the conversation now being taped inside the Grand Gallery.
CHAPTER 7
The modest dwelling within the Church of Saint-Sulpice was located on the second floor of the church itself, to the left of the choir balcony. A two-room suite with a stone floor and minimal furnishings, it had been home to Sister Sandrine Bieil for over a decade. The nearby convent was her formal residence, if anyone asked, but she preferred the quiet of the church and had made herself quite comfortable upstairs with a bed, phone, and hot plate.
As the church's
conservatrice d'affaires,
Sister Sandrine was responsible for overseeing all nonreligious aspects of church operations—general maintenance, hiring support staff and guides, securing the building after hours, and ordering supplies like communion wine and wafers.
Tonight, asleep in her small bed, she awoke to the shrill of her telephone. Tiredly, she lifted the receiver.
“Soeur Sandrine. Eglise Saint-Sulpice.”
“Hello, Sister,” the man said in French.
Sister Sandrine sat up.
What time is it?
Although she recognized her boss's voice, in fifteen years she had never been awoken by him. The abbé was a deeply pious man who went home to bed immediately after mass.
“I apologize if I have awoken you, Sister,” the abbé said, his own voice sounding groggy and on edge. “I have a favor to ask of you. I just received a call from an influential American bishop. Perhaps you know him? Manuel Aringarosa?”
“The head of Opus Dei?”
Of course I know of him. Who in the Church doesn't?
Aringarosa's conservative prelature had grown powerful in recent years. Their ascension to grace was jump-started in 1982 when Pope John Paul II unexpectedly elevated them to a “personal prelature of the Pope,” officially sanctioning all of their practices. Suspiciously, Opus Dei's elevation occurred the same year the wealthy sect allegedly had transferred almost one billion dollars into the Vatican's Institute for Religious Works—commonly known as the Vatican Bank—bailing it out of an embarrassing bankruptcy. In a second maneuver that raised eyebrows, the Pope placed the founder of Opus Dei on the “fast track” for sainthood, accelerating an often century-long waiting period for canonization to a mere twenty years. Sister Sandrine could not help but feel that Opus Dei's good standing in Rome was suspect, but one did not argue with the Holy See.
“Bishop Aringarosa called to ask me a favor,” the abbé told her, his voice nervous. “One of his numeraries is in Paris tonight. . . .”
As Sister Sandrine listened to the odd request, she felt a deepening confusion. “I'm sorry, you say this visiting Opus Dei numerary cannot wait until morning?”
“I'm afraid not. His plane leaves very early. He has always dreamed of seeing Saint-Sulpice.”
“But the church is far more interesting by day. The sun's rays through the oculus, the graduated shadows on the gnomon,
this
is what makes Saint-Sulpice
Langdon read the message again and looked up at Fache. “What the hell does this mean!”
Fache's eyes shone white. “
That,
monsieur, is precisely the question you are here to answer.”
Not far away, inside Saunière's office, Lieutenant Collet had returned to the Louvre and was huddled over an audio console set up on the curator's enormous desk. With the exception of the eerie, robot-like doll of a medieval knight that seemed to be staring at him from the corner of Saunière's desk, Collet was comfortable. He adjusted his AKG headphones and checked the input levels on the hard-disk recording system. All systems were go. The microphones were functioning flawlessly, and the audio feed was crystal clear.
Le moment de vérité,
he mused.
Smiling, he closed his eyes and settled in to enjoy the rest of the conversation now being taped inside the Grand Gallery.
CHAPTER 7
The modest dwelling within the Church of Saint-Sulpice was located on the second floor of the church itself, to the left of the choir balcony. A two-room suite with a stone floor and minimal furnishings, it had been home to Sister Sandrine Bieil for over a decade. The nearby convent was her formal residence, if anyone asked, but she preferred the quiet of the church and had made herself quite comfortable upstairs with a bed, phone, and hot plate.
As the church's
conservatrice d'affaires,
Sister Sandrine was responsible for overseeing all nonreligious aspects of church operations—general maintenance, hiring support staff and guides, securing the building after hours, and ordering supplies like communion wine and wafers.
Tonight, asleep in her small bed, she awoke to the shrill of her telephone. Tiredly, she lifted the receiver.
“Soeur Sandrine. Eglise Saint-Sulpice.”
“Hello, Sister,” the man said in French.
Sister Sandrine sat up.
What time is it?
Although she recognized her boss's voice, in fifteen years she had never been awoken by him. The abbé was a deeply pious man who went home to bed immediately after mass.
“I apologize if I have awoken you, Sister,” the abbé said, his own voice sounding groggy and on edge. “I have a favor to ask of you. I just received a call from an influential American bishop. Perhaps you know him? Manuel Aringarosa?”
“The head of Opus Dei?”
Of course I know of him. Who in the Church doesn't?
Aringarosa's conservative prelature had grown powerful in recent years. Their ascension to grace was jump-started in 1982 when Pope John Paul II unexpectedly elevated them to a “personal prelature of the Pope,” officially sanctioning all of their practices. Suspiciously, Opus Dei's elevation occurred the same year the wealthy sect allegedly had transferred almost one billion dollars into the Vatican's Institute for Religious Works—commonly known as the Vatican Bank—bailing it out of an embarrassing bankruptcy. In a second maneuver that raised eyebrows, the Pope placed the founder of Opus Dei on the “fast track” for sainthood, accelerating an often century-long waiting period for canonization to a mere twenty years. Sister Sandrine could not help but feel that Opus Dei's good standing in Rome was suspect, but one did not argue with the Holy See.
“Bishop Aringarosa called to ask me a favor,” the abbé told her, his voice nervous. “One of his numeraries is in Paris tonight. . . .”
As Sister Sandrine listened to the odd request, she felt a deepening confusion. “I'm sorry, you say this visiting Opus Dei numerary cannot wait until morning?”
“I'm afraid not. His plane leaves very early. He has always dreamed of seeing Saint-Sulpice.”
“But the church is far more interesting by day. The sun's rays through the oculus, the graduated shadows on the gnomon,
this
is what makes Saint-Sulpice
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