The Fall by Albert Camus

surely already asleep. I was enjoying that walk, a little numbed, my body calmed and irrigated by a flow of blood gentle as the falling rain. On the bridge I passed behind a figure leaningover the railing and seeming to stare at the river. On closer view, I made out a slim young woman dressed in black. The back of her neck, cool and damp between her dark hair and coat collar, stirred me. But I went on after a moment’s hesitation. At the end of the bridge I followed the quays toward Saint-Michel, where I lived. I had already gone some fifty yards when I heard the sound—which, despite the distance, seemed dreadfully loud in the midnight silence—of a body striking the water. I stopped short, but without turning around. Almost at once I heard a cry, repeated several times, which was going downstream; then it suddenly ceased. The silence that followed, as the night suddenly stood still, seemed interminable. I wanted to run and yet didn’t stir. I was trembling, I believe from cold and shock. I told myself that I had to be quick and I felt an irresistible weakness steal over me. I have forgotten what I thought then. “Too late, too far …” or something of the sort. I was still listening as I stood motionless. Then, slowly under the rain, I went away. I informed no one.
    But here we are; here’s my house, my shelter!Tomorrow? Yes, if you wish. I’d like to take you to the island of Marken so you can see the Zuider Zee. Let’s meet at eleven at
Mexico City
. What? That woman? Oh, I don’t know. Really I don’t know. The next day, and the days following, I didn’t read the papers.

 
    A DOLL’S village, isn’t it? No shortage of quaintness here! But I didn’t bring you to this island for quaintness,
cher ami
. Anyone can show you peasant headdresses, wooden shoes, and ornamented houses with fishermen smoking choice tobacco surrounded by the smell of furniture wax. I am one of the few people, on the other hand, who can show you what really matters here.
    We are reaching the dike. We’ll have to follow it to get as far as possible from these too charming houses. Please, let’s sit down. Well, what do you think of it? Isn’t it the most beautiful negative landscape? Just see on the left that pile of ashes they call a dune here, the gray dike on the right, the livid beach at our feet, and in front of us, the sea the color of a weak lye-solution with the vast sky reflecting the colorless waters. A soggy hell, indeed! Everything horizontal, no relief; space is colorless, and life dead. Is it not universal obliteration, everlasting nothingness made visible? No human beings, above all, no human beings! You andI alone facing the planet at last deserted! The sky is alive? You are right,
cher ami
. It thickens, becomes concave, opens up air shafts and closes cloudy doors. Those are the doves. Haven’t you noticed that the sky of Holland is filled with millions of doves, invisible because of their altitude, which flap their wings, rise or fall in unison, filling the heavenly space with dense multitudes of grayish feathers carried hither and thither by the wind? The doves wait up there all year round. They wheel above the earth, look down, and would like to come down. But there is nothing but the sea and the canals, roofs covered with shop signs, and never a head on which to light.
    You don’t understand what I mean? I’ll admit my fatigue. I lose the thread of what I am saying; I’ve lost that lucidity to which my friends used to enjoy paying respects. I say “my friends,” moreover, as a convention. I have no more friends; I have nothing but accomplices. To make up for this, their number has increased; they are the whole human race. And within the human race, you first of all. Whoever is at hand is always the first. How do I know I have no friends? It’s very easy: I discoveredit the day I thought of killing myself to play a trick on them, to punish them, in a way. But punish whom? Some would be surprised, and no