pockets stuffed with candy for Nadya and her brother.
But when the famine came, people had no coin and nothing to trade for a prettily carved table or a wooden duck. They used their furniture for kindling and prayed they would make it through to spring. Maxim was forced to sell his horses, and then the sledge they'd once pulled over the snow-blanketed roads.
As Maxim’s luck faded, so did his wife. Soon she was more ghost than woman, drifting silently from room to room. Nadya tried to get her mother to eat what little food they had, giving up portions of turnip and potato, bundling her mother’s frail body in shawls and seating her on the porch in the hope that the fresh air might return some appetite to her. The only thing she seemed to crave were little cakes made by the widow Karina Stoyanova, scented with orange blossom and thick with icing. Where Karina got the sugar, no one knew—though the old women had their theories, most of which involved a rich and lonely tradesman from the river cities. But eventually, even Karina’s supplies dwindled, and when the little cakes were gone Nadya’s mother would touch neither food nor drink, not even the smallest sip of tea.
Nadya’s mother died on the first real day of winter, when the last bit of autumn fled from the air, and any hope of a mild year went with it. But the poor woman’s death went largely unremarked upon, because two days before she finally breathed her last ghostly sigh, another girl went missing.
Her name was Lara Deniken, a shy girl with a nervous laugh, the type to stand at the edges of village dances watching the fun. All they found of her was a single leather shoe, its heel thick with crusted blood. She was the second girl lost in as many months, after Shura Yeshevsky went out to hang the wash on the line and never came back in, leaving nothing but a pile of clothespins and sodden sheets lying in the mud.
Real fear came upon the town. In the past, girls had vanished every few years. True, there were rumors of girls being taken from other villages from time to time, but those children hardly seemed real. Now, as the famine deepened and the people of Duva went without, it was as if whatever waited in the woods had grown greedier and more desperate, too.
Lara. Shura. All those who had gone before: Betya. Ludmilla. Raiza. Nikolena. Other names now forgotten. In those days, they were whispered like an incantation. Parents sent up prayers to their Saints, girls walked in pairs, people watched their neighbors with suspicious eyes. On the edge of the woods, the townspeople built crooked altars—careful stacks of painted icons, burnt-down prayer candles, little piles of flowers and beads.
Men grumbled about bears and wolves. They organized hunting parties, talked about burning sections of the forest. Poor simple-minded Uri Pankin was nearly stoned to death when he was found in possession of one of the missing girls' dolls, and only his mother’s weeping and her insistence that she had found the sorry thing on the Vestopol Road saved him.
Some wondered if the girls might have just walked into the wood, lured there by their hunger. There were smells that wafted off the trees when the wind blew a certain way, impossible scents of lamb dumplings or sour cherry babka. Nadya had smelled them herself, sitting on the porch beside her mother, trying to get her to take another spoonful of broth. She would smell roasting pumpkin, walnuts, brown sugar, and find her feet carrying her down the stairs toward the waiting shadows, where the trees shuffled and sighed as if ready to part for her.
Stupid girls, you think. I would never be so foolish. But you've never known real hunger. The crops have been good these last years and people forget what the lean times are like. They forget the way mothers smothered infants in their cribs to stop their hungry howls, or how the trapper Leonid Gemka was found gnawing on the muscle of his slain brother’s calf when their hut was
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