The History of the Siege of Lisbon

The History of the Siege of Lisbon by José Saramago Page A

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Authors: José Saramago
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training, and besides, we have to admit that we are often too lazy to verify the meaning of a word in the dictionary, with inevitable consequences. It is preposterous, insists Raimundo Silva as if he were giving us his answer, Never would I do such a thing, and why should I, a proof-reader takes his work seriously, he does not play games or tricks, he respects what has been established in grammars and reference books, he is guided by the rules and makes no attempt to modify them, he obeys an ethical code which is unwritten but sacrosanct, he must respect tradition, observe the conventions, and suppress his private inclinations, any doubts he may have, he keeps to himself and, as for putting a
not
where the author wrote
yes,
this proof-reader simply would not do it. The words just spoken by Mr Jekyll try to contradict others we could not hear, words spoken by Mr Hyde, nor do we need to mention these two names in order to see that in this antiquated building in the district of Castelo we are watching yet another titanic struggle between an angel and a demon, the two conflicting sides of human beings, without excepting proof-readers. But unfortunately it is Mr Hyde who will win this battle, as is clear from the smile on Raimundo Silva's face and a look of utter malevolence we would not have expected of him, all traces of Jekyll have gone from his face, he has obviously taken a decision, and such a bad one, he holds his biro with a steady hand and adds a word to the page, a word the historian never wrote, that for the sake of historical truth he could never have brought himself to write, the word
Not,
and what the book now says is that the crusaders will
Not
help the Portuguese to conquer Lisbon, thus it is written and has come to be accepted as true, although different, what we would call false has come to prevail over what we would call true, falsehood has replaced the truth, and someone would have to narrate the history anew, and how.
    In all these years of dedication to his profession. Raimundo Silva would never have knowingly dared to infringe the aforementioned ethical code, unwritten but regulating the actions of proof-readers in relation to the ideas and opinions of authors. For the proof-reader who knows his place, the author, as such, is infallible. It is well known, for example, that Nietzsche's proof-reader, although a fervent believer, resisted the same temptation to insert the word
Not
on a certain page, thus amending the philosopher's phrase, God is dead, God is not dead. If proof-readers were given their freedom and did not have their hands and feet tied by a mass of prohibitions more binding than the penal code, they would soon transform the face of the world, establish the kingdom of universal happiness, giving drink to the thirsty, food to the famished, peace to those who live in turmoil, joy to the sorrowful, companionship to the solitary, hope to those who have lost it, not to mention the rapid disappearance of poverty and crime, for they would be able to do all these things simply by changing the words, and should anyone doubt these new demiurges, they need only remember that this is precisely how the world and man came to be made, with words, some rather than others, so that things might turn out just so, and in no other fashion, Let it be done, said God, and it was done immediately.
    Raimundo Silva will read no more. He is exhausted, all his strength has gone into that
Not
with which he has just put at risk, not only his professional integrity, but also his peace of mind. As from today, he will live for that moment, sooner or later, but inevitable, when someone will ask him to account for his mistake, it might well be the outraged author, some witty and implacable critic, or an attentive reader who writes to the publisher, or even Costa himself when he turns up tomorrow morning to collect the proofs, for he is perfectly capable of appearing in person with that heroic and martyred expression on his face, I

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