The Lady of the Rivers
be the only thing better than being a duchess at seventeen.
    ‘I had not looked for such an honour,’ I say feebly to them both. ‘May I be excused? I fear I am not worthy.’
    ‘We are of the greatest family in Christendom,’ my father says grandly. ‘Kin to the Holy Roman Emperor. How would you not be worthy?’
    ‘You cannot be excused,’ my mother says. ‘Indeed, you would be a fool to be anything but delighted. Any girl in France and England would give her right hand for such a match.’ She pauses and clears her throat. ‘He is the greatest man in France and England after the King of England. And if the king were to die . . . ’
    ‘Which God forbid,’ my father says hastily.
    ‘God forbid indeed; but if the king were to die then the duke would be heir to the throne of England and you would be Queen of England. What d’you think of that?’
    ‘I had not thought of marriage to such a man as the duke.’
    ‘Think now then,’ my father says briskly. ‘For he is coming here in April, to marry you.’

    My uncle Louis, who is Bishop of Therouanne as well as the duke’s chancellor, is both host and priest at this wedding of his own making. He entertains us in his episcopal palace and John Duke of Bedford rides in with his guard in the English livery of red and white, as I stand at the doorway of the palace in a gown of palest yellow with a veil of tissue of gold fting from my high headdress.
    His page runs forwards to hold his horse’s head, and another kneels on the ground alongside and then drops to his hands and knees to form a human mounting block. The duke climbs down heavily, from the stirrup onto the man’s back, and then steps down to the ground. Nobody remarks on this. The duke is such a great man that his pages take it as an honour for him to stand on them. His squire takes his helmet and his metalled gauntlets, and steps aside.
    ‘My lord.’ My uncle the bishop greets his master with obvious affection and then bows to kiss his hand. The duke claps him on the back and then turns to my father, and my mother. Only when the courtesies with them are complete does he turn to me, and he steps forwards, takes both of my hands, pulls me towards him, and kisses me on the mouth.
    His chin is rough with stubble, his breath tainted; it is like being licked by a hound. His face seems very big as it comes down towards me, and very big as he moves away. He does not pause to look at me, or to smile, just that one aggressive kiss, then he turns to my uncle and says, ‘Do you have no wine?’ and they laugh for it is a private joke, based on their years of friendship, and my uncle leads the way inside and my mother and father follow them, and I am left for a moment, looking after the older people, with the squire at my side.
    ‘My lady,’ he says. He has passed the duke’s armour to another, and now he bows to me and doffs his hat. His dark hair is cut straight in a fringe above his brows, his eyes are grey as slate, perhaps blue. He has a funny twist in his smile as if something is amusing him. He is stunningly handsome, I can hear the ladies in waiting behind me give a little murmur. He makes a bow and offers me his arm to take me inside. I put my hand on his and feel the warmth of his hand through the soft leather of his glove. At once, he pulls off the glove so his fingers are holding mine. I feel as if I would like him to take my hand in his, to put his warm palm against mine. I feel I would like him to take hold of my shoulders, to grip me at the waist.
    I shake my head to clear my mind of such ridiculous thoughts and I say, abruptly, like an awkward girl: ‘I’ll go in alone, thank you,’ and I drop his hand, and follow them inside.

    The three men are seated, wineglasses in their hands, my mother is in a window embrasure, watching the servants bring little cakes and top up their glasses. I go to her side with her ladies in waiting, and my two little sisters who are dressed in their best and

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