she?”
“Got to be way up in the nineties.”
“How do you know her?”
“Frances Hatch is rumored to have letters, drawings, and books from these people and others, the likes of which would make any dealer weep. Very important stuff, Miranda, just sitting there growing yellow. For years she made noise about wanting to sell, but never did till now. Her companion died a few months ago and she’s afraid of being alone. Wants to move into an expensive nursing home in Briarcliff but doesn’t have the money.”
“It sounds great if you can get her to sell you the stuff. But why tell me?”
“Because at age ninety-whatever, Frances no longer likes men. She had some kind of late-life revelation and became a lesbian. With the exception of her lawyer, she deals only with women. I’ve known her for years and she says she’s really willing to sell now, but only if it’s done through a woman dealer. If she’ll sell, I’ll go fifty-fifty with you.” He made no attempt to hide the desperation in his voice.
“That’s not necessary, Clayton. I’m glad to help if I can. Besides, I’ve always wanted to meet an emu. When would we go?”
He looked at his watch. “Now, this morning, if you’d like.” Let’s go.
Before catching a cab, Clayton said he needed to find a market, but not why. I waited outside. In a few minutes he reemerged with a bag full of serious junk food. Things like pink Hostess Snowballs, fluorescent orange Cheetos, Twinkies, Ding Dongs, Devil Dogs, Yankee Doodles.…
“Those aren’t for you ?”
“It’s the only food Frances eats. Anyone who visits her is expected to bring a bag full of this merde.”
“No wonder she’s ninety! If she ate those all her life she’s probably eighty percent chemically preserved. When she dies, her body will have the half-life of plutonium.”
He took out a package and looked at it. “When was the last time you ate a Ding Dong? They all sound obscene—Devil Dogs, Ding Dongs.…” He tore open the wrapper and we contentedly ate them as we rode uptown.
Ms. Hatch lived in one of those beautiful turn-of-the-century buildings that looked like fortresses. It had outlived its neighborhood but was falling to ruin. There were gargoyles on the front facade and a long courtyard with a fountain in the center that no longer worked. It was the kind of building that deserved quiet and reserve, but as we walked across the courtyard, salsa and rap music swept down from open windows and crashed on top of us. Somewhere a man and woman yelled at each other. The things they said were embarrassing. As often happened in situations like that, it struck me how people feel no shame anymore talking publicly about anything. While riding the subway recently, I’d sat next to two women talking loudly about their periods. Not once did either of them look around to see if people were listening, which they were.
When I mentioned this to Clayton, he said, “No one’s concerned with dignity today. People want either to win or to be comfortable.” He gestured toward the windows above us. “They don’t care if you hear. It’s like the TV talk shows: those idiots don’t mind your knowing they slept with their mother, or the dog. They think it makes them interesting. Here we are. This is it.”
The hallway smelled of old food and wet paper. Illegible graffiti had been spray-painted big and black across the mailboxes. A yellow baby carriage without wheels was pushed against a wall. The elevator didn’t work.
“What floor does she live on?”
“Third, but she never goes out. Sometimes I wonder how many old people are prisoners in their apartments in this city. Too scared, or they can’t climb the stairs. There’s got to be a lot of them.”
We climbed in silence. I noticed here and there signs of the onetime beauty of the building. The banister was bird’s-eye maple, the ironwork beneath it intricate and pretty. The stairs were made of dark green stone with swirls of black
“Got to be way up in the nineties.”
“How do you know her?”
“Frances Hatch is rumored to have letters, drawings, and books from these people and others, the likes of which would make any dealer weep. Very important stuff, Miranda, just sitting there growing yellow. For years she made noise about wanting to sell, but never did till now. Her companion died a few months ago and she’s afraid of being alone. Wants to move into an expensive nursing home in Briarcliff but doesn’t have the money.”
“It sounds great if you can get her to sell you the stuff. But why tell me?”
“Because at age ninety-whatever, Frances no longer likes men. She had some kind of late-life revelation and became a lesbian. With the exception of her lawyer, she deals only with women. I’ve known her for years and she says she’s really willing to sell now, but only if it’s done through a woman dealer. If she’ll sell, I’ll go fifty-fifty with you.” He made no attempt to hide the desperation in his voice.
“That’s not necessary, Clayton. I’m glad to help if I can. Besides, I’ve always wanted to meet an emu. When would we go?”
He looked at his watch. “Now, this morning, if you’d like.” Let’s go.
Before catching a cab, Clayton said he needed to find a market, but not why. I waited outside. In a few minutes he reemerged with a bag full of serious junk food. Things like pink Hostess Snowballs, fluorescent orange Cheetos, Twinkies, Ding Dongs, Devil Dogs, Yankee Doodles.…
“Those aren’t for you ?”
“It’s the only food Frances eats. Anyone who visits her is expected to bring a bag full of this merde.”
“No wonder she’s ninety! If she ate those all her life she’s probably eighty percent chemically preserved. When she dies, her body will have the half-life of plutonium.”
He took out a package and looked at it. “When was the last time you ate a Ding Dong? They all sound obscene—Devil Dogs, Ding Dongs.…” He tore open the wrapper and we contentedly ate them as we rode uptown.
Ms. Hatch lived in one of those beautiful turn-of-the-century buildings that looked like fortresses. It had outlived its neighborhood but was falling to ruin. There were gargoyles on the front facade and a long courtyard with a fountain in the center that no longer worked. It was the kind of building that deserved quiet and reserve, but as we walked across the courtyard, salsa and rap music swept down from open windows and crashed on top of us. Somewhere a man and woman yelled at each other. The things they said were embarrassing. As often happened in situations like that, it struck me how people feel no shame anymore talking publicly about anything. While riding the subway recently, I’d sat next to two women talking loudly about their periods. Not once did either of them look around to see if people were listening, which they were.
When I mentioned this to Clayton, he said, “No one’s concerned with dignity today. People want either to win or to be comfortable.” He gestured toward the windows above us. “They don’t care if you hear. It’s like the TV talk shows: those idiots don’t mind your knowing they slept with their mother, or the dog. They think it makes them interesting. Here we are. This is it.”
The hallway smelled of old food and wet paper. Illegible graffiti had been spray-painted big and black across the mailboxes. A yellow baby carriage without wheels was pushed against a wall. The elevator didn’t work.
“What floor does she live on?”
“Third, but she never goes out. Sometimes I wonder how many old people are prisoners in their apartments in this city. Too scared, or they can’t climb the stairs. There’s got to be a lot of them.”
We climbed in silence. I noticed here and there signs of the onetime beauty of the building. The banister was bird’s-eye maple, the ironwork beneath it intricate and pretty. The stairs were made of dark green stone with swirls of black
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