thought of it scares me to death.â
âIt should,â says Michael. âAnd you can forget about coming anywhere near him.â
âSheâs watching,â Anita says quietly. Michael follows her gaze. Tisha Beacham is at an upstairs window, looking down over the courtyard at them. Without expression, she turns away. And then Michaelâs hand is on Anitaâs shoulder and heâs aiming her, pushing her toward the truck.
âGet in.â
âAre we going somewhere?â
âJust get âin the truck .â
She does. Gratefully.
*Â Â Â *Â Â Â *
Stepping to a window in the guest bedroom, Tisha Beacham watches as the pickup starts with a roar and then pulls out of the courtyard and moves down the drive and through the open gate into the street. Her head is pounding and her throat feels swollen. She hopes she isnât coming down with something. Thereâs a lot going around these days.
*Â Â Â *Â Â Â *
They drive in silence, not looking at each other. The narrow winding road that takes them out of the Upper Muirlands was originally built for mules not cars and the tires of the truck squeal as they come around a curve. The truck veers into the opposing lane and then back again. A car is approaching. There is some space on the shoulder and etiquette would dictate that Michael pull to the side and let the oncoming car pass. He will have none of it. He hits both the horn and the gas. The truck surges forward. Horn blaring back, the car is forced to swerve hard into a driveway.
âIf youâre going to kill me,â says Anita, âplease donât do it with a truck.â
Ignoring her, Michael runs the red light onto Nautilus.
âSo how you been?â Anita says. Casually. Michael answers her with a derisive snort. His lips are clenched. He seems to be chewing on his inner cheek. As good a reason as any to answer the question herself. âWhy, just fine, Anita, thanks. How have you been? Oh, just peachy as well, thank you. Just swell.â She hesitates. âActually Iâm a mess,â she says softly.
âStill?â Michael, biting the word.
He turns the wheel hard. With a squeal of tires, the truck veers to the side of the road and comes to an abrupt halt. Michael slams the truck into park. Heâs breathing fast and hard, sucking air as if from the mask in a falling airplane.
âHit me if itâll make you feel better.â She watches Michael shake his head. âThen tell me about Jamie.â She waits as he puts the palms of his hands to his eyes. He inhales, then exhales deeply. He lowers his hands. His face still looks brittle but there is a semblance of composure now.
âWhat do you want to know?â
âMy mother says heâs not quite right.â
âYour motherâs the one whoâs not quite right.â Michael stares straight ahead, not looking at her. âHe has Aspergerâs,â he says quietly.
Itâs a word that Anita has heard before but doesnât quite recognize. âI donât know what thatââ
âItâs autism.â
She feels her body clench. Sheâs read about this in newspapers. Children who donât speak, canât function, wonât survive alone.
Rain Man.
âHeâs autistic?â
âDid I say that?â Michael says sharply. Inhale againâexhale again. Control is a good thing. âHeâs wired different, thatâs all. He learns different. He has a hard time with people he doesnât know or trust. He doesnât like to play with other kids. When he doesnât want to do something, he screams his head off for help.â
âSounds pretty normal to me,â says Anita, already convinced itâs not.
âHeâs a great kid,â says Michael, and in doing so, puts Anitaâs fears momentarily to rest. âIf youâd ever been in touch, youâd know that.â
She looks away.
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