The Serpent's Curse

The Serpent's Curse by Tony Abbott

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Authors: Tony Abbott
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Paintings were shelved upright in these spaces. Classical sculptures of people and animals—some realistic, some fantastical—were clustered here and there the entire length of the vault.
    The curator set the dagger and its holster reverently on a worktable, then stepped over to a portion of the wall containing built-in safe-deposit-type boxes.
    â€œWhat is your birth date, Wade?” he asked.
    â€œMe?”
    Lily remembered how the deciphering of Uncle Henry’s original coded message had involved a reference to Wade’s birthday. That was what had started their quest.
    â€œOctober sixth.”
    â€œSo . . .” The curator selected and removed one of the boxes, which he said was “made of a titanium alloy,” and brought it to the table. He placed the holster and dagger inside the box, sealed it, tapped in a key-code combination, and returned the box to its slot in the wall. He then withdrew the box directly below it. “The, ah, object you wish to store here?”
    Darrell drew Vela from an inside pocket.
    Raising his eyebrows very high, the curator took the heavy blue stone—the relic with something buried in its interior—and swaddled it carefully in new velvet.
    â€œIt’s priceless,” Lily said.
    â€œI believe it,” the curator responded. He set the velvet-wrapped stone in a wooden box. Then he placed that box inside a second titanium container, which he inserted below the one with the dagger inside. When he pushed it all the way in, there was a low whump followed by the clicking and rolling of tumblers that stopped with a hush.
    â€œNow you’ll want to see our head of antiquities,” the curator said, leading them all briskly out of the vault and security corridor. “I’ll ask her to meet you upstairs in the atrium. If anyone can help you decode your message, she’s the one.”
    Taking one last look at the sealed vault door, Lily breathed easily. Vela, the first of the Copernicus relics, was now hidden safely underneath New York City.

CHAPTER TEN
    T he curator led them back up to the atrium.
    As Wade watched the man disappear, Darrell’s hip pocket began to ring. “It’s Dad,” he said, and stepped away, listening, Lily along with him. Becca turned to follow them when Wade stopped her.
    â€œHow’s your arm?” he asked.
    She smiled. “Okay. Better all the time.”
    â€œGood.” He was still deciding if he should tell Becca about the dream . The one he’d had leaving Guam in which Becca had seemed to be, well, dead. He’d so far been unable to say it out loud. It was too upsetting, even for him. Naturally, he worried that his dream had something to do with Markus Wolff’s intense look at her in the Mission in San Francisco, although that was clearly impossible, since his dream had been earlier.
    â€œWhat about the Mission?” Becca asked.
    â€œWhat?”
    â€œYou said Mission , just now.”
    His face went hot. “I did? Well . . . it’s just . . . I wonder what Markus Wolff meant about the twelfth relic. That we should ask ourselves what it was.”
    â€œMe, too. Strange, huh?”
    â€œYeah.”
    That went nowhere.
    Darrell was off the phone now. “Good news. Investigators are spreading across Europe.”
    â€œHe said we have to be prepared that they won’t find your mom today or probably tomorrow,” Lily added. “That it’ll take some time, but everybody feels good about it.”
    â€œExcellent,” said Julian. “It may not be long now before we know what the ribbon says and where it points.”
    â€œFind the relic, find Sara,” Becca said.
    â€œThat’s the idea,” said Wade.
    There was a slow click of heels on tile, and a tiny, very old woman hobbled into the open atrium as if wandering in from the long past. She wore a dark beige pantsuit with a bright pink scarf flowing up out of her

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