The Seven Storey Mountain: Fiftieth-Anniversary Edition

The Seven Storey Mountain: Fiftieth-Anniversary Edition by Thomas Merton Page B

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Authors: Thomas Merton
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household. I think we were all very fond of Elsie from the beginning, and Bonnemaman got to depending on her so much that she stayed around and became more and more a part of the family, until she finally entered it altogether by marrying my uncle. With her arrival, Pop no longer let loose any of his tirades against Rome unless some bitter word happened to slip out without deliberation.
    This was one of the few things I got from Pop that really took root in my mind, and became part of my mental attitude: this hatred and suspicion of Catholics. There was nothing overt about it. It was simply the deep, almost subconscious aversion from the vague and evil thing, which I called Catholicism, which lived back in the dark corners of my mentality with the other spooks, like death and so on. I did not know precisely what the word meant. It only conveyed a kind of a cold and unpleasant feeling.
    The devil is no fool. He can get people feeling about heaven the way they ought to feel about hell. He can make them fear the means of grace the way they do not fear sin. And he does so, not by light but by obscurity, not by realities but by shadows, not by clarity and substance but by dreams and the creatures of psychosis. And men are so poor in intellect that a few cold chills down their spine will be enough to keep them from ever finding out the truth about anything.
    As a matter of fact, by this time I was becoming more and more positively averse to the thought of any religion, although I was only nine. The reason was that once or twice I had to go to Sunday School, and found it such a bore that from then on I went to play in the woods instead. I don’t think the family was very grieved.
    All this time, Father was abroad. He had gone first to the South of France, to the Roussillon, where I was born. He was living first at Banyuls, then at Collioure, painting landscapes along the Mediterranean shore, and in the red mountains, all the way down to Port Vendres and the borders of Catalonia. Then, after a while, he and the people he was with crossed over into Africa and went inland in Algeria, to a place on the edge of the desert, and there he painted some more.
    Letters came from Africa. He sent me a package containing a small burnous, which I could wear, and a stuffed lizard of some sort. At that time I had gathered a small natural history museum of pieces of junk that are to be found around Long Island, like arrowheads and funny-looking stones.
    During those years, he was painting some of the best pictures he had ever painted in his life. But then something happened, and we got a letter from one of his friends, telling us that he was seriously ill. He was, in fact, dying.
    When Bonnemaman told me this news, I was old enough to understand what it meant, and I was profoundly affected, filled with sorrow and with fear. Was I never to see my father again? This could not happen. I don’t know whether or not it occurred to me to pray, but I think by this time it must have, at least once or twice, although I certainly had very little of anything that could be called faith. If I did pray for my father it was probably only one of those blind, semi-instinctive movements of nature that will come to anyone, even an atheist in a time of crisis, and which do not prove the existence of God, exactly,
but which certainly show that the need to worship and acknowledge Him is something deeply ingrained in our dependent natures, and simply inseparable from our essence.
    It seems that for days Father lay in delirium. Nobody appeared to know what was the matter with him. He was expected to die from moment to moment. But he did not die.
    Finally he got past the crisis of this strange sickness, and recovered his consciousness, and began to improve and get well. And when he was on his feet again, he was able to finish some more pictures, and get his things together, and go to London, where he held his most successful exhibition, at the Leicester Galleries, early in

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