Heâd been waiting for her in a rocking chair on the innâs front porch, the sky growing blacker and blacker, when she came striding down the dirt path. Sheâd no more than sat down next to him than the air sizzled with electricity and the first bolt of lightning cleaved the sky.
âYou forget Iâm from Minnesota,â she said, pointing her fork at him. âI spent the first twenty years of my life watching storms. And how was your lazy afternoon, old man?â
âFine.â
âJust fine?â
âI visited a studio. Took some photos. Like I said.â
âYou shouldâve come with me. The path through the forest is strewn with fairy houses.â
âWith what?â
âLittle houses built of bark and leaves and pebbles. By children, I suppose, if you donât believe in fairies. People leave pennies near the ones they like best. Isnât that sweet? I can see why Laura loved it here.â
Martin just stared at her.
âWell . . . thatâs why we came all this way, right? This island was your wifeâs favorite place in the whole world, and this is your way of saying goodbye.â
âI didnât know youââ
âIâm not
stupid,
Martin. I know how much you loved her.â
But I didnât.
The words were right there to be spoken, and for a heartbeat Martin thought heâd already said them. But if he did, how would he ever stop? How would he keep from adding,
Any more than I love you.
They used Robert Trevorâs flashlight to wind their way up the narrow, pitch-black staircase to locate their room on the third floor. Undressing in the dark, they lay in the canopied bed and watched the sky through the open window. Though the storm had moved out to sea, it still flickered on the distant horizon, and every twenty seconds or so the beam from the lighthouse swept past.
âWhat do you think?â Beth said. âShould we stay an extra day?â
âIf you like,â he said. âWhatever you want.â
âItâs up to you.â
After a moment he said, âI called Peter while you were out. He needs me to start work earlier, by the second week of rehearsal instead of the third, if possible. He didnât come right out and say so, but thatâs what he wants.â
âWhat do
you
want?â
âI wouldnât mind heading back.â
âFine with me.â
âLetâs, then.â
A few minutes later she was snoring gently in the crook of his arm. For a long time Martin lay in the dark thinking about Robert Trevorâs farm in Indiana, if there was such a place, and the countless versions of Laura he claimed to have stored there. And he thought too about Beth, the poor girl. She had it exactly backwards, of course. This trip wasnât so much about saying goodbye to his wife as saying hello. Heâd fallen in love with her, truly in love, the moment heâd uncrated the painting back in L.A. and seen his wife through another manâs eyes. Just as Joyce had known, somehow, that he would.
What folly, Martin couldnât help concluding, bitterly, as he contemplated the lovely young woman sleeping at his side; it was his destiny, no doubt, to sell her short as well. What absolute folly love was. Talk about a flawed concept. He remembered how he and his junior high friendsâall of them shy, self-conscious, without girlfriendsâused to congregate in the shadow of the bleachers to evaluate the girls at Friday night dances. The best ones were taken, naturally, which left the rest. âSheâs kind of pretty, donât you think?â one of his friends, or maybe Martin himself, would venture, and then it would be decided, by popular consensus, if she was or she wasnât.
That they were leaving in the morning was a relief to Martin. He preferred the West Coast, and he was looking forward to working on Peterâs new picture, which was to star an actress
Lisa Lace
Brian Fagan
Adrian Tchaikovsky
Ray N. Kuili
Joachim Bauer
Nancy J. Parra
Sydney Logan
Tijan
Victoria Scott
Peter Rock