while, but she was looking over at me.
âDaniel,â I said, though she hadnât asked.
âThe brother,â she said.
âI told you I would,â said Albert.
She nodded and took her hands from his head, slowly, like maybe she might put them back there again.
âCan I touch you?â she said.
I looked at Albert, and he just shrugged. I felt like there was maybe a joke being put on me.
âWhere?â I said.
She smiled. âRight here.â
I shrugged. âAll right.â
She stepped over and put one of her boots on my shoe, then she pushed back my hair with the tips of her fingers. I looked away.
âCan I turn you into the light?â she said.
âNot too much,â I said.
âJust a little.â
When she turned me, she pushed my hair back again and lifted my chin up. I had to squint in the brightness.
âYou all right?â she said.
âItâs strange,â I said.
âYouâre shaking.â
âIâm cold.â
âYou donât feel cold,â she said. âYouâre a beautiful child.â
âIâm not a child.â
âNo,â she said.
I wanted to get out of that light then, and maybe she sensed this, because she took me out. She let go of me.
âLetâs say we go inside,â she said.
So we went up into the trailer. I leaned Albert and his chair back and pulled him up the steps. Iâd done this many places before. I knew the trick of it. He stared up at me.
âYouâre spooking,â he said.
âSays you.â
There was a couch inside, two chairs, lampshades. Drapes on the windows. Merrill turned off the spotlight outside, and there was a white candle on a small table, lit, and the red and green lights shining through the glass. I liked the music on the radio. Still slow, but no longer strange. Something familiar, though I could not quite place it. Merrill was in the kitchen, and her steps seemed to follow the music as she walked about. A big map of the country was pinned up on the wall opposite the couch, and I examined it for a moment. Little stars drawn here and there: Fresno and Grand Junction, Boston and Sioux Falls, Portland, both of them. Below, on a shelf, were about a dozen porcelain mice, each of them the same it seemed. Each of them standing with the same hopeful expressionâbigeyesâbut dressed different, in little felt outfits. A hippie and a surgeon, a nurse and a fisherman. One of them held a butterfly net.
Merrill called from the kitchen. âDonât make fun of my mice, Daniel Atkins.â
âI thought they were rats,â I said.
She looked at me from over the counter. âYou can wait outside in the jeep if you want.â
I looked at Albert, and he gave me a look I couldnât read. He took a swig off a beer.
âI didnât mean nothing by it,â I said.
âThen have a seat,â she said.
I sat down in a chair next to Albert, and he closed his eyes and listened to the music. He started moving his shoulders, his neck. He seemed to be whispering some words, though there werenât any voices on the radio. I crossed my arms over my chest. I was shivering something terrible.
âIâve got a whole box of donuts here,â said Merrill. âI think these are going to be good. Youâll have some donuts?â
âSure,â said Albert. He opened his eyes then and reached into his pocket. He took out the roll of moneyâtwentiesâand handed it to me. He nodded at Merrill.
âGive it to her?â I said.
He nodded.
So I got up and leaned over the counter. I looked at her for a moment. I was scared of her, though I didnât want to show it. I handed over the money.
âThose are steep donuts,â I said.
Something young came over her face then. Some sort of pleasant tremor it seemed to me. She had the same expression as when sheâd tipped me into the light. She reached toward the money
Mel Teshco
John Fortunato
Greg Cox
Peter Hince
Allison van Diepen
Shara Azod
Tia Siren
Peter King
Robert Vaughan
Patricia MacLachlan