This Life

This Life by Karel Schoeman Page B

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Authors: Karel Schoeman
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her in the voorhuis. I sat on the floor in a corner, outside the circle of the candlelight, among theguests’ children in whom I took no interest and who, after their initial efforts to make friends had proved fruitless, had soon forgotten all about me. Gradually they became weary, however, and fell over where they were sitting or lying, but I stayed awake and observed, sleepless in the shadows, and heard the remarks the married women along the wall made amongst each other when Mother was not near, and the whispers of the girls crowding around the looking-glass in the bedroom by candlelight.
    Without taking the least notice of Jakob’s absence, apparently even unaware of it, Sofie danced the night away, and as the other dancers grew tired and dropped out or went outside to where the brandy was, more and more often it was my brother Pieter who was her dancing partner, just as tireless as she was. I believe the farm lads of our district never really knew what to make of Pieter, but he was popular among the girls, with his quick tongue and nimble feet, his teasing manner, his agility and grace. Where, among us, had he ever got the opportunity to learn how to dance, I wonder now; but he could certainly dance, and well too, and all night long you saw his slender body moving among the dancers as if he could find no rest; later he took off his jacket and danced in his shirtsleeves, and more and more often it was Sofie that he chose as his partner. And why not? After all, they were the best dancers there. Pieter in his shirtsleeves and Sofie in her glistening gown of black satin, together in the fine haze of the dust stirred up by the feet of the dancers on the dung floor, in the golden glow of the tallow candles that lit up the room hazily, together, as in a dream, with the child in the corner watching and remembering, listening and remembering: the envy, the disapproval, the resentment, the spite, the desire that surrounded them, and the two young people together, as in a dream.
    In the end I, too, fell asleep among the other children on the floor,and someone must have picked me up there and carried me to my room, for when I awoke I was lying on the little cot underneath the window, covered with a patchwork quilt, and strange children were sleeping in my own bed. It was the noise of gunshots that had awakened me, for it was dawn and outside the young men were welcoming the new year: I knelt on the cot, resting my elbows on the high window-sill, and looked out at the silver-grey morning, chilly and still as a pool. The shouting and shooting were distant and came from somewhere at the front of the house, but inside it had become silent, only the sound of a single violin lingered somewhere, persistent, languid and melancholy, as if the fiddler no longer knew how to finish the tune, and so just kept on playing in the dim light of dawn. He must have been sitting at the hearth in the kitchen with the servants, seeking out a little warmth against the chill of the morning; and in the empty yard Gert and Jacomyn were dancing together in the silver daylight to the rhythm of the thin, dreamy waltz.
    Jacomyn – yes, I have not mentioned Jacomyn at all; but she came to us from the Karoo with Sofie; she followed Sofie as she climbed from the wagon when Jakob brought her to us as his bride, and Mother told Dulsie to take her to the kitchen. She was no more than a girl, only a few years older than Sofie herself, and her mother had been a slave in Sofie’s family in the old days, for Oom Wessel and his family were wealthy people, as I have said, who owned slaves just like Ouma’s people in the Bokkeveld; Jacomyn herself had still been born into slavery, and when the slaves were set free, she became Sofie’s personal maid and she came with her to the Roggeveld voluntarily when Sofie got married. She slept in the kitchen with old Dulsie, or sometimes on the rug before Sofie’s bed, and Mother kept her distance from her, just as she did from

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