Unlocked: An Oral History of Haden’s Syndrome

Unlocked: An Oral History of Haden’s Syndrome by John Scalzi

Book: Unlocked: An Oral History of Haden’s Syndrome by John Scalzi Read Free Book Online
Authors: John Scalzi
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midnight. So I pulled up the real-time monitor and saw the printer was running right at that moment. I went down to the printer floor to see what was going on and there was Charlie, printing out something that looked like a hand. He looked very surprised to see me.
    Naturally, I asked him what he was doing. He said he was doing some last minute client work, so I said, fine, so show me the work order. We didn’t do anything at GreenWave without a work order. Then Charlie got a panicked look in his eye, and that’s when I realized whatever he was doing, he wasn’t supposed to be doing it. So I decided to get tough with him and told him that he could either tell me what he was doing, or he could tell his boss the next morning, with me providing the spreadsheet as incriminating documents.
    Charlie gave in and told me he was making a prototype. Great, I said, a prototype of what? And he explained that he had been following the development of the neural networks they were making for the Haden’s syndrome people, and realized that even if they got the networks to function, people would still be stuck in bodies that didn’t move. He was building a machine that would integrate with the networks so that people would be able to walk and move and get out in the world.
    I asked him to tell me more, and we spent the next five hours going over everything. GreenWave had access to the Haden research database because we contracted with GE for elements of their neural networks, and Charlie had been keeping up with the neural network development. A lot of research money was going into biological solutions to fixing Haden bodies but almost nothing for machine solutions—the closest thing was an old design of a scooter with a large tablet sticking up on a post. It gave minimal mobility but no ability to hold or grasp objects or interact with people in a way that didn’t feel like, well, you were a scooter with a tablet on it.
    What Charlie was prototyping was much better: An actual body with touch input, shaped like a human body and with all a body’s capabilities. It was a robot, but instead of a robot brain, it had a human brain controlling it. It would be a new body. One that wouldn’t get tired or ever get sick like the Haden’s victims own bodies would.
    Charlie kept going on and I honestly didn’t understand more than about twenty percent of what he was saying. But when he was done I did two things. The first thing I did was I went and put that spreadsheet through the shredder. The second thing I did was go into my dad’s office the next morning and told him I wanted every penny of my trust fund right now, and if he didn’t give it to me I would tell mom about his affair. And his other affair, too.
    When dad agreed to that, I immediately rented the use of the printer Charlie had been working on. Then I marched down to the printer floor and told Charlie to quit his internship, he and I were going into business, full partners. And he did. I took a picture of the two of us right after to commemorate the moment. He looked dazed, like he just got hit by a truck.
    Summer Zapata:
    On paper, Charlie Sebring and Rebecca Warner didn’t look they should work together at all. She was extroverted, aggressive and business-oriented, and he was classically introverted and focused on the project, almost to the exclusion of ordinary bodily functions; there’s a rumor that one day Warner came into their office and poured a gallon jug of water over his head as a hint that he should go home and take a shower.
    The one thing they had in common was a commitment to the vision of what they started calling “Personal Transports.” Sebring saw the practical need and had enough rigor as an engineer not to let his design wander off into the thickets. If you look at his first set of prototypes they were, from a design point, ruthlessly robotic—all function and no esthetic. He wanted Haden’s patients to be able to move. He didn’t care what they

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