âThe drop is a small ocean.â âA foolish consistency is the hobgoblin of little minds.â âWe live amid surfaces, and the true art of life is to skate well on them.â âSleep lingers all our lifetime about our eyes, as night hovers all day in the boughs of the fir tree.â âThe soul makes the body.â âPrayer is the contemplation of the facts of life from the highest point of view,â he says, and suddenly that elite mystical practice seems clearer than ever before, and possible to each of us.
Of course his writing is made up of the nineteenth-century sentence, so nimble with commas. The sparks of his expression move forward softly and reasonably, in their shapely phrasesâthen they leap. He rests upon the gnomic as a poet will rest upon meter, and comes not to a conclusion but to a pause in which the readerâs own impetus, given such a bright shove, takes over. And yet it is not ornamental eloquence, but natural, fecund, ripe, full of seed, and possibility. Even, or especially (it is his specialty, after all), when talking about the utterly unprovable, he sends out good news, as good reports come all day from the mockingbird, or the soft tongues of the Merrimack. The writing is a pleasure to the ear, and thus a tonic to the heart, at the same time that it strikes the mind.
Thus he wrote and lectured, often in Boston and New York but also as far west as Missouri and beyond. He did not especially like travel, or being away from home, but needed the money and trusted the lecturing process as a way for him to develop and polish his essays for eventual publication.
_______
In 1847, Emerson, by then an established writer widely honored on both sides of the Atlantic, returned to England. The audiences for his lectures were large and curious. Crabb Robinson, in his diary of those years, relates first his own response and then the reaction of the writer Harriet Martineau:
Tuesday, I heard Emersonâs first lecture, âOn the Laws of Thought;â one of those rhapsodical exercises of mind, like Coleridgeâs in his âTable Talk,â and Carlyleâs in his Lectures, which leave a dreamy sense of pleasure, not easy to analyze, or render an account of. . . . I can do no better than tell you what Harriet Martineau says about him, which, I think, admirably describes the character of his mind. âHe is a man so
sui generis
, that I do not wonder at his not being apprehended till he is seen. His influence is of a curious sort. There is a vague nobleness andthorough sweetness about him, which move people to their very depths, without their being able to explain why. The logicians have an incessant triumph over him, but their triumph is of no avail. He conquers minds, as well as hearts, wherever he goes; and without convincing anybodyâs reason of any one thing, exalts their reason, and makes their minds worth more than they ever were before.â
9TH JUNE, 1848 .
That we are spirits that have descended into our bodies, of this Emerson was sure. That each man was utterly important and limitless, an âinfinitude,â of this he was also sure. And it was a faith that leads, as he shows us again and again, not to stasis but to activity, to the creation of the moral person from the indecisive person. Attachment to the Ideal, without participation in the world of men and women, was the business of foxes and flowers, not of men, not of women. This was, for Emerson himself, difficult. Outwardly he was calm, reasonable, patient. All his wildness was in his headâsuch a good place for it! Yet his certainty that thought, though it might grow most robust in the mindâs repose, was sent and meant for participation in the world, never altered, never ebbed. There are, for myself, a hundred reasons why I would find my lifeânot only my literary,thoughtful life but my emotional, responsive lifeâimpoverished by Emersonâs absence, but
Suzy Spencer
Christine Whitehead
Kelly Favor
Jane Higgins
Arabella Quinn
Gilbert Adair
Aubrey St. Clair
James Twining
James Patterson
Nikki Roman