Writing Home

Writing Home by Alan Bennett

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Authors: Alan Bennett
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Bungalows back on to the common, with garden sheds. One has a car-port and a Peugeot in the drive.Rustic wooden seats denote this desolate place a picnic area, though nothing much grows, grass the permanent casualty, the ground as brown and bare as an end-of-the-season goalmouth. Was it for this the clay grew tall, for the plastic flowers in the picture windows, the fishman with his van, and a boy riding over the ancient humps of trenches on his BMX bike? Well, yes, I suppose it was.
    Unable still to find our cemetery, we give it up and drive back into Ypres and eat a waffle in a chocolate shop, where plump businessmen dally with the proprietress while choosing pralines for the weekend. They go back to the office, tiny boxes of chocolates dangling from one finger, while we drive out on the Menin Road in the rain. Eventually we spot the tip of a cross across a sloping field. There is a railway and there are trees which may be larches and here is the signpost, broken off by a tractor and lying in the ditch.
    The cemetery is over a crossing on the far side of a single-track railway. There is a gate, a long finger of lawn alongside the railway, another gate and the burial-ground proper: Uncle Clarence’s stone, the stone which is not his grave, is in a row backing on to the railway.
    Known to be buried in this cemetery
C7/044
Rifleman C. E. Peel.
King’s Royal Rifle Corps.
21 October 1917

Their Glory Shall not be Blotted Out.
    To one side is a Gunner Hucklesby of the Royal Field Artillery, to the other a Private Oliver of the Hampshires. It is like seeing who is in the next bed in a barrack room. Many of thenames are from Leeds: a Pte Smallwood, a Pte Seed from Kirkstall Road, some with family details, some not. Uncle Clarence’s not. A Second-Lieutenant Broderick from Farnley, at thirty-five a bit old for the war, like Waugh’s Crouchback, another Uncle. Sergeant Fortune, a character out of Hardy. Pte Ruckledge of the Wellingtons, Pte Leaversedge of the Yorkshires: rugged names, which, had their owners been spared, one feels the years might have smoothed out to end up Rutledge and Liversedge. Many Canadians ‘known only to God’.
    The low walls are sharp and new-looking, unblurred by creeper. There is no lichen on the gravestones, the dead seeming not to have fertilized the ground so much as sterilized it. This is April and too soon to mow, yet the grass is neat and shorn. Standard at the entrance to each graveyard is a small cupboard in the wall, the door of bronze. In it is lodged the register of graves in this and adjacent cemeteries. Larchwood is a modest example, with only some three hundred graves. The register begins by describing the history of the place: ‘On the NE side of the railway line to Menin, between the hamlets of Verbranden-molen and Zwarvelden was a small plantation of larches, and a cemetery was made at the north end of this wood. It was begun in April 1915 and used by troops holding this sector until April 1918.’ The tone is simple, almost epic. It might be a translation from Livy, the troops any troops in any war. There is a plan of the graves, drawn up like an order of battle, these soldiers laid in the earth still in military formation, with the graves set in files and groups and at slight angles to one another, as if they were companies waiting for some last advance. All face east, the direction of the enemy and only incidentally of God.
    I sit in the little brick pavilion looking at this register. The book is neat (so much is neat now when nothing was neat then); it is unfingermarked, not even dog-eared. It might be drawn from the Bodleian Library, not from a cupboard in a wall in themiddle of a field. Of course if this foreign field were forever England the bronze door would long since have been wrenched off, the gates nicked, ‘Skins’ and ‘Chelsea’ sprayed over all. The notion of a register so freely available would in England seem ingenuous nonsense. I sit there, wondering about

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