tried to force me to go to school again, but Iâd barricaded myself into my bedroom by pushing all my furniture against the door.
Have you ever barricaded yourself into a room? Honestly, itâs the most definitive way of confirming that, yes, maybe you have gone mental.
And that confirmation unleashes the emotional landslide â where, suddenly, after fighting for so long, your brain gives up and erodes in on you, spiralling your thoughts into monsters who seize the city and tell you nothing is going to be okay ever again. That this is your new life now. Fear, and pain, and confusion. And your mum hammering at the door, screaming that sheâs calling the police for your truanting, and you donât even care â just as long as you donât have to leave the house.
Eventually Mum gave up â thinking if she stopped âgiving me attentionâ I would âsnap out of itâ, because thatâs what every parent of someone who gets head-ill believes at some stage.
I was left in peace.
To ruminate into madness.
The problem with that is, thereâs only so much delirious spiralling you can do before your brain gets a tad bored. Not bored enough to move the furniture, open the door and say, âIâll go to school now.â But sustained crying was exhausting and, without drinking, due to the barricade and such, it got hard to keep producing tears. So eventually I started looking for things to do and found an old DVD Janeâd lent me â sheâd been going through a Johnny Depp obsessive period â and shoved it into my laptop.
Films had never been a huge deal to me before. They were things in the background in a friendâs room, or a way of passing time on Christmas Day when the family is bored of one another. But the moment Edward Scissorhands began, with its haunting music and blizzarding snow and magical fairytaleness, it did the impossible. It made me forget what was going on in my head. For one blissful hour and a half I was distracted by this story of an odd boy who didnât fit in, in a boring town just like mine. It was like going on brain holiday. And it was so beautiful and poignant and perfect. That was the film that did it.
And for the following years film was my only escape. I chased gorgeous story after gorgeous story, usually old romances, my film pile growing ever bigger and my movie knowledge ever greater as my brain got gradually worse, and then much worse, and then better.
âSo why Edward Scissorhands ?â Oli asked, his basily eyes wide with interest.
âOh. I just like Tim Burton,â was my reply.
Eight
Sarah couldnât wait to hear about my disastrous date. Naturally.
âHow did it go?â she asked, before Iâd even sat down. Her pen was already poised above her notepad.
I picked up the dilapidated rabbit. âArenât you going to ask me how I am first?â
âHow are you?â
âFine.â
âSo how did the date go?â
I shook my head. âYouâre getting it all wrong. Weâre supposed to sit here in awkward silence first, because obviously Iâm not fine, thatâs why Iâm in therapy. Then we make small talk for at least five minutes before I open up.â
Sarah narrowed her eyes. âYouâve imposed rituals into therapy, havenât you?â
âNo,â I said sheepishly. Maybe I had a bit. âItâs just youâre not saying stuff in the order you usually do.â
âAnd does that make you feel uncomfortable?â
I narrowed my eyes back at her. âIâm in therapy for an anxiety-related disorder. EVERYTHING makes me uncomfortable.â
Sarah let out a small laugh. âFair enough. Letâs do this the usual way.â
âThanks.â
âDo you have this weekâs Worry Outcome survey?â
I rummaged in my bag and plucked out a wadded ball of paper. It took a moment to flatten out the creases on my knee.
Gertrude Warner
Alexandra Weiss
Patty Blount
Jasmine Haynes, Jennifer Skully
Nicola Barker
Liliana Rhodes
Amy McClung
Roberto Bolaño
Kristina O’Grady
Karen Witemeyer