Essential Poems from the Staying Alive Trilogy

Essential Poems from the Staying Alive Trilogy by Neil Astley

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Authors: Neil Astley
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I? Why should the spirit
    Have visited such a man? Many others
    Were justly called, and trustworthy.
    Who would have trusted me? For they saw
    How I empty glasses, throw myself on food,
    And glance greedily at the waitress’s neck.
    Flawed and aware of it. Desiring greatness,
    Able to recognise greatness wherever it is,
    And yet not quite, only in part, clairvoyant,
    I know what was left for smaller men like me:
    A feast of brief hopes, a rally of the proud.
    A tournament of hunchbacks, literature.
    CZESŁAW MIŁOSZ
translated by Czesław Miłosz & Robert Hass

O Taste and See
    The world is
    not with us enough.
    O taste and see
    the subway Bible poster said,
    meaning The Lord, meaning
    if anything all that lives
    to the imagination’s tongue,
    grief, mercy, language.
    tangerine, weather, to
    breathe them, bite,
    savor, chew, swallow, transform
    into our flesh our
    deaths, crossing the street, plum, quince,
    living in the orchard and being
    hungry, and plucking
    the fruit.
    DENISE LEVERTOV

From Blossoms
    From blossoms comes
    this brown paper bag of peaches
    we bought from the boy
    at the bend in the road where we turned toward
    signs painted Peaches .
    From laden boughs, from hands,
    from sweet fellowship in the bins,
    comes nectar at the roadside, succulent
    peaches we devour, dusty skin and all,
    comes the familiar dust of summer, dust we eat.
    O, to take what we love inside,
    to carry within us an orchard, to eat
    not only the skin, but the shade,
    not only the sugar, but the days, to hold
    the fruit in our hands, adore it, then bite into
    the round jubilance of peach.
    There are days we live
    as if death were nowhere
    in the background; from joy
    to joy to joy, from wing to wing,
    from blossom to blossom to
    impossible blossom, to sweet impossible blossom.
    LI-YOUNG LEE

The Simple Truth
    I bought a dollar and a half’s worth of small red potatoes,
    took them home, boiled them in their jackets
    and ate them for dinner with a little butter and salt.
    Then I walked through the dried fields
    on the edge of town. In middle June the light
    hung on in the dark furrows at my feet,
    and in the mountain oaks overhead the birds
    were gathering for the night, the jays and mockers
    squawking back and forth, the finches still darting
    into the dusty light. The woman who sold me
    the potatoes was from Poland; she was someone
    out of my childhood in a pink spangled sweater and sunglasses
    praising the perfection of all her fruits and vegetables
    at the roadside stand and urging me to taste
    even the pale, raw sweetcorn trucked all the way,
    she swore, from New Jersey. ‘Eat, eat,’ she said,
    ‘Even if you don’t I’ll say you did.’
                                                                   Some things
    you know all your life. They are so simple and true
    they must be said without elegance, meter and rhyme,
    they must be laid on the table beside the salt shaker,
    the glass of water, the absence of light gathering
    in the shadows of picture frames, they must be
    naked and alone, they must stand for themselves.
    My friend Henri and I arrived at this together in 1965
    before I went away, before he began to kill himself,
    and the two of us to betray our love. Can you taste
    what I’m saying? It is onions or potatoes, a pinch
    of simple salt, the wealth of melting butter, it is obvious,
    it stays in the back of your throat like a truth
    you never uttered because the time was always wrong,
    it stays there for the rest of your life, unspoken,
    made of that dirt we call earth, the metal we call salt,
    in a form we have no words for, and you live on it.
    PHILIP LEVINE

Sweetness, Always
    Why such harsh machinery?
    Why, to write down the stuff
    and people of every day,
    must poems be dressed up in gold,
    in old and fearful stone? 
    I want verses of felt or feather
    which scarcely weigh, mild verses
    with the intimacy of beds
    where people have loved and dreamed.
    I want poems

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