could feel the switch straining under her fingertip as it tried to pop on.
Overhead, the three model airplanes began to move. Each was hung from the ceiling on a length of fishing line, and the upper end of each line was knotted to its own eye-hook that had been screwed firmly into the drywall. The planes jiggled, jerked, twisted, and trembled.
Just a draft.
But she didn’t feel a draft.
The model planes began to bounce violently up and down on the ends of their lines.
“God help me,” Vivienne said.
One of the planes swung in tight circles, faster and faster, then in wider circles, steadily decreasing the angle between the line on which it was suspended and the bedroom ceiling. After a moment the other two models ceased their erratic dancing and began to spin around and around, like the first plane, as if they were actually flying, and there was no mistaking this deliberate movement for the random effects of a draft.
Ghosts? A poltergeist?
But she didn’t believe in ghosts. There were no such things. She believed in death and taxes, in the inevitability of slot-machine jackpots, in all-you-can-eat casino buffets for $5.95 per person, in the Lord God Almighty, in the truth of alien abductions and Big Foot, but she didn’t believe in ghosts.
The sliding closet doors began to move on their runners, and Vivienne Neddler had the feeling that some awful thing was going to come out of the dark space, its eyes as red as blood and its razor-sharp teeth gnashing. She felt a presence , something that wanted her, and she cried out as the door came all the way open.
But there wasn’t a monster in the closet. It contained only clothes. Only clothes.
Nevertheless, untouched, the doors glided shut . . . and then open again. . . .
The model planes went around, around.
The air grew even colder.
The bed started to shake. The legs at the foot rose three or four inches before crashing back into the casters that had been put under them to protect the carpet. They rose up again. Hovered above the floor. The springs began to sing as if metal fingers were strumming them.
Vivienne backed into the wall, eyes wide, hands fisted at her sides.
As abruptly as the bed had started bouncing up and down, it now stopped. The closet doors closed with a jarring crash — but they didn’t open again. The model airplanes slowed, swinging in smaller and smaller circles, until they finally hung motionless.
The room was silent.
Nothing moved.
The air was getting warmer.
Gradually Vivienne’s heartbeat subsided from the hard, frantic rhythm that it had been keeping for the past couple of minutes. She hugged herself and shivered.
A logical explanation. There had to be a logical explanation.
But she wasn’t able to imagine what it could be.
As the room grew warm again, the doorknobs and the radio casing and the other metal objects quickly shed their fragile skins of ice, leaving shallow puddles on furniture and damp spots in the carpet. The frosted window cleared, and as the frost faded from the dresser mirror, Vivienne’s distorted reflection resolved into a more familiar image of herself.
Now this was only a young boy’s bedroom, a room like countless thousands of others.
Except, of course, that the boy who had once slept here had been dead for a year. And maybe he was coming back, haunting the place.
Vivienne had to remind herself that she didn’t believe in ghosts.
Nevertheless, it might be a good idea for Tina Evans to get rid of the boy’s belongings at last.
Vivienne had no logical explanation for what had happened, but she knew one thing for sure: She wasn’t going to tell anyone what she had seen here tonight. Regardless of how convincingly and earnestly she described these bizarre events, no one would believe her. They would nod and smile woodenly and agree that it was a strange and frightening experience, but all the while they would be thinking that poor old Vivienne was finally getting senile. Sooner or later word of
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