like rum. Letâs hope that means something.â Then: âIan, careful.â
Ian has already scaled the wall and stares petulantly back at us from on top of it, trying to play conquistador, oblivious to the damage he could be doing to a historical landmark. Typical.
âYou shouldnât stand up there,â I yell at him.
âWhy?â he says. âWeâre going to have to climb over it anyway.â
âBut still,â I snap back at him. âYou never think about things, you just go ahead and do them. You ought to have some respect forââ
âFor a wall ?â he moans, throwing up his hands. âWhatâs to respect? We have to climb it! Get over yourself!â
That last crack was uncalled for, and I give him the dirtiest look I can before following him. As PJ and I climb up and leap down on the other side, the sun seems fainter, the air feels colder, and the reassuring scent of the forest is replaced with something sour and spoiled. The wall is made not just of stone, but of air, as though an invisible barrier stretches from the ground up into the sky. Itâs not me aloneâPJ hugs himself tightly, his skinny little body shuddering as we walk onward. Even Ian, with his headstrong bluster, frowns and wipes at the soles of his shoes.
The hillside has gotten steeper since the wall, and weâre all struggling to keep pace, except for Ian, whose long, skinny legs yank him easily over any rock or felled tree in our path. Every time we pass a large burrow or a thick patch of bushes, he kneels beside it and peers into it, as though heâs lost something. As he crouches near a thick hollowed-out tree trunk, I hear him mumble, âWhere are you, where are you . . .â
âWhat are you looking for?â I ask him.
He glances at me over his shoulder, then mumbles, âNothing. Just . . . if you see anything that looks like clothing, let me know.â
âIs this about the Pine City Dancers?â asks PJ, wiping sweat from his brow. âYouâre still hung up on that?â
âWell . . . you have to admit, it would be pretty cool if we found them,â says Ian.
When I look at PJ, he shudders and looks around himself. âJeremy Morris from the seventh grade told Ian that a modern dance troupe disappeared in these woods last year,â he groans. âThatâs why we didnât have a Homeroom Earth trip last year.â
Ah. Of course Ian has no intention of helping our situation, only hunting down a campfire story and scaring the wits out of his best friend. What a weasel. âThat storyâs not true,â I declare.
âBut what if it is?â asks Ian. âWe could be heroes for finding these poor lost hikers and bringing back proof of their existence.â
âFirst of all,â I say, âdo you think our teachers would let us go hiking in woods where there might be dead bodies?â I look at PJ and shake my head in a What an idiot kind of way. He smiles back. âAnd second, what would you tell our teachers if you did find them? âIâm sorry I disobeyed the rules and left the path, but look, hereâs a dead body.â Good luck, Ian.â
âYouâre thinking about this all wrong,â he says.
âYouâre not thinking about it, period,â I tell him. âSame as when you ran off into the woods.â
Ian gets a dark, mean look on his face. After a momentâs silence, he says, âWell, what are we going to tell the teachers about what happened today? We need a story, something theyâll believe.â
âPJ and I can say you ran off after a deer, and we went after you to keep you from doing something stupid,â I say. âTheyâll believe that.â
âYeah, I bet youâd tell them that,â he snaps. âAnything to bring me down, huh, Queen Brain?â
âI wasnât concerned with you ,â I tell him. âIâm thinking
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