decided heâd wait to see what this woman had to say. In any case, she had nowhere to go. But his quarry was definitely gone.
âWell, Alexi, keep it down, huh? Most of the shipâs asleep.â
âI know, and Iâm sorry.â
âAnd just between us, weâre on the lookout for men whoâre acting badly. Bothering women and such.â
âOh?â That really seemed to surprise Alexi. â Was someone...bothered?â
He shrugged. âWeâre supposed to be extra-vigilant. So, youâre absolutely sure youâre okay?â
âYes, thank you, Johnny.â Johnny the security guard nodded at both of them and went back in the direction from which heâd come.
Alexi Cromwell looked at him, her eyes grave and troubled. âWe canât talk here. You can...you can come to my cabin.â
When his day had begunâor when the previous day, actually had begunâthe last thing heâd expected was that heâd wind up standing in a deserted hallway on a slumbering ship, a stunning woman in front of him, inviting him to her cabin.
And yet, he knew instantly that it wasnât a sexual overture.
âMs. Cromwell,â he warned her. âYouâd better have an explanation.â
She stepped away, assessing him. âRight. Youâre no Celtic American bigwig. Iâm assuming youâre some kind of law enforcement.â
âFBI,â he told her.
She nodded. âFBI. Well, youâre also what we call a magic man.â
âMagic man?â
âYou see the dead. Magic man âitâs an old term in my family. I think it originated with a grandmother who lived on the bayou. Please, just come with me. Iâll do my best to explain.â
3
J ude McCoy, FBI man, entered Alexiâs cabin, not saying a word until they were seated in her tiny quarters. Alexi perched on the bed, McCoy sat in the one chair, which faced the dressing table built into the wall.
âDead?â McCoy said, turning the chair toward her. âYou mean our suspect? And yet he was running around the city of New Orleans and now the ship.â
His skepticism was blatant. âMs. Cromwell, I saw that man at a murder scene in New Orleans. We chased him to this ship. He snagged a ride with some poor bastard on the street who thought he was about to get killed. Oh, by the way, I believe that poor guyâs in the hospital with a heart attack. Now the suspectâs on the ship. I saw him.â
âYes,â she said. âWhether you accept it or not, you see the dead. Trust me.â
âYouâre telling me youâre aiding and abetting a dead man we chased from the scene of a horrific crime?â
âYes. I didnât get much of a chance to talk to him. He led you here on purpose.â
âA dead man led me here?â
He didnât raise his voice. But the sharp look he gave her suggested heâd be good in an interrogation room. If sheâd done something, she thought, sheâd admit it quickly. He was still, calm, and while his voice had a strange power, he kept it low and intense.
âI didnât get to hear the whole story,â she said. âI gather you came after him.â
âIf heâs dead, why is he afraid of me?â
âI donât really know the answer to that,â Alexi replied. âI didnât get enough time to talk to him. All I know is that he believes the killerâs on this ship. Yes, you saw him at the crime scene. He saw you thereâand he saw that you were aware of him. He planned on coming on the ship. Look, I see the dead. It doesnât mean I understand them any more than I understand the living.â
He leaned toward her. âI saw a man at a crime scene. The older guy driving the car saw him. Iâm pretty sure a girl in a bar saw him, and I know my partner on this ship did, too. So, whatâwe all see the dead? Everybody does?â
âNo, but
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