Father Halloran. âCome, Susan, you and I will just step into my study and have a little talk. All right?â
âAll right, Father,â said Susan.
The Fatherâs study was a nice place, thought Susan. One of the nicest rooms she had ever been in. Cool, and quiet, and such soft lights. And it
smelled
nice. Like leather, and pipe tobacco. There were books all over the walls. Susan liked books. When the door was closed, it was as if all the noisy, garish world had vanished. She felt she could have stayed in the room forever and never want to leave. Peaceful, thatâs what it was.
Father Halloran talked to her gently, smiling. What seemed to be the trouble? Didnât she like Mass any more? Did something frighten her? âYou can tell me, dear. No matter what it is. You can tell me.â
âI . . .â She shrugged in confusion and dropped her eyes. âI donât know why I do that, Father. Itâs terrible, but I really donât know why.â Her voice was deferential. âI wish I
did
know. Itâs something likeââ
âYes?â
âWell, once I was sick. The flu, I think. And I couldnât keep anything on my stomach. The very thought of
food
justâjust made me sicker. You know how that is?â
The priest nodded. âIâve had a touch of the flu once or twice. I know exactly what you mean.â
âI walked into the kitchen and saw a big bowl of stew on the tableâchunks of meat and vegetables swimming in gravy, with steam rising from itâand just the sight of it made me so sick that I couldnât walk a step closer. I had to turn right around and walk out of the room. Because I knew that if I stayed there another second, Iâdââ
Father Halloran nodded.
âWell . . . going to Mass is something like that. It doesnât frighten me exactly, but when I see the church, when I see the spire with the cross on top of itââ She swallowed and took a deep breath. âI canât, I have to stop. I have to go away from it. Because I know that if I go any closer I just couldnât stand it.â Her eyes teared. âIsnât that terrible, Father?â
âNow, now. Donât you worry. Weâll clear this up. Just donât worry. Now tell meââ
The phone rang and Father Halloran turned away from her to answer it. An elderly female parishioner began to unfold a long, complex and numbingly trivial problem. Father Halloran, a man with deep reserves of patience, listened to her, but told her he would have to call her back because he was really quite busy. His eyes, as he talked, were fixed on the carpet.
Suddenly he found himself looking down at two small smooth feet, bare, the toenails lacquered a shrieking red.
He hastily terminated the conversation and replaced the phone in its cradle. Looking up, he saw that Susan was standing before him, completely naked.
He had never seen a naked woman before.
In the soft light of the study, Susanâs body glowed, and the scarlet toenailsâher secret adornmentâwere out of tune with the unpainted fingernails and face. Father Halloranâs heart contracted. She was more in need of help than he had ever dreamed, much more. The poor girl was terribly sick. Evenly, without shock or anger, he said, âPut on your clothes, Susan.â
He looked up at her face. It was a mask of slyness.
âLetâs talk,â she said, and the voice was not hers. She was a ventriloquistâs dummy and somebody else was moving her lips and saying the words. âLetâs talk, Father.â She moved closer to him. âBut not about church-going. Talk about the things you really want to talk about. Say what you really mean. Tell me what a pretty girl I am, and what a sweet little figure Iâve got. Tell me all the things that are running through your mind when you look at me. Tell me. I wonât mind. Youâre a man,
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