know each other so well then. Beauty, the minister said, the three of them were in a place of beauty, beauty beyond our ability to know. Joy, too, it’s a place of unending joy. If I could punch a hole through the mask, would I see beauty and joy? You would think, either it’s got to be heaven, because that’s what we’re talking about, right? Or it’s what it is, the mask is everything. But I’ll tell you, when I’m sitting at that intersection, watching the light go through its cycles, I think of other—other possibilities. Maybe whoever, or whatever, is running the show isn’t so nice. Maybe he’s evil, or mad, or bored, disinterested. Maybe we’ve got everything completely wrong, everything, and if we could look through the mask, what we’d see would destroy us. You ever feel that way?”
“Not exactly,” I said.
“That’s all right,” Dan said and, leaning back in his chair, promptly fell asleep.
Recalling Dan’s words now, it’s hard for me not to shudder, to wonder, How did he know? They say extreme states of mind can push you to—a visionary state, I guess you’d call it. Could be that’s what happened to him. Then again, I have to remind myself that what transpired that day at Dutchman’s Creek: what we heard; what we saw; God help me, what we touched; that all of that doesn’t necessarily bear out Dan’s words. It feels a lot like special pleading to say that, though. Actually, it feels more like flat-out, Pollyanna, pie-in-the-sky denial. But there are some things, no matter if they’re true, you can’t live with them. You have to refuse them. You turn your eyes away from whatever’s squatting right there in front of you and not only pretend it isn’t there now, but that you never saw it in the first place. You do so because your soul is a frail thing that can’t stand the blast-furnace heat of revelation, and truth be damned. What else can a body do?
Since he wasn’t in any shape to drive home, I gave Dan my bed and I took the couch. It was no fun trying to get him out of that chair, maneuver him through the living room and down the hall, and guide him into the bedroom. He kept wanting to stop and lie down, and it’s no small task convincing a big man drunk on wine and exhaustion not to decamp in the middle of the hallway. Despite everything Dan had said, I had no trouble sleeping. Later that night—technically speaking, it must have been the next morning—I had a nightmare, the first since Marie died. As a rule, my dreams had been of the mundane, this-is-what-I-did-today variety. Seldom, if ever, did my mind conjure any strange, exotic dreams, any dream-like dreams. I’ve always been this way. Truth to tell, I used to sort of envy those folks who dreamed they were on great adventures, or having passionate love affairs, or dining with famous people. To me, those dreams seemed like starring in your own private movie. This dream was no happy Hollywood extravaganza. It was the kind of film you want to turn off but can’t, because switching it off would mean standing up from the couch and crossing the living room, and you’re literally too scared to do that. It seems like a tremendous risk. But that’s not all, no. You’re fascinated, too. So you sit there, unable to stop watching, knowing full well you’ll regret your failure to change the channel later, when you’ve pulled the bedclothes up over your head and are praying that the creak you heard outside the bedroom door was the house settling, not a footstep.
In the dream, I was fishing. I want to say it started out normally enough, except that isn’t true. I was standing beside this narrow, winding, fast-moving stream. When I say it was fast-moving, I mean the water was frothing, the way it does after a torrential storm. I couldn’t see into it at all. To my left, the stream descended from a steep hill. To my right, it foamed on level for a dozen yards before dropping away. In front of me, across the stream, the other
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