the two-lane macadam that ran in front of the main gate. I parked off the verge where I couldn’t be seen from the guard hut. I got out, shivering, found my 7x50 field glasses in the messy trunk, got back in the car and lowered the window just enough. I had a reasonably good view of the buildings and grounds. The light was slaty, and the lens kept misting up, but I could see what I wanted to see.
I wasn’t looking for anything menacing or suspicious. I just wanted to get a quick first impression. Did the buildings look in good repair? Were the grounds reasonably well-groomed? Was there an air of prosperity and good management—or was the place a dump, rundown and awaiting foreclosure?
Dr. Thorndecker’s place got high marks. Not a broken window that I could see. Sashes and wooden trim smartly painted. Lawn trimmed, and dead leaves gathered. Trees obviously cared for, brick walks swept clean. Bushes and garden had been prepared for the coming winter. Storm windows were up.
All this spelled care and efficiency. It looked like a prosperous, functioning set-up with strong management that paid attention to maintenance and appearance even in this lousy weather at this time of year.
The main building, the largest building, was also, obviously, the oldest. Probably the original nursing home, Crittenden Hall. It was a three-story brick structure sited on the crest of the hill. The two-story wings were built on a slightly lower level. All outside walls were covered with ivy, still green. Roofs were tarnished copper. Windows were fitted with ornamental iron grilles, not unusual in buildings designed for the ill, infirm, aged, and/or loony.
About halfway down the hill was a newer building. Also red brick, but no ivy. And the roof was slated. The windows were also guarded, but with no-nonsense vertical iron bars. This building, which I assumed to be the Crittenden Research Laboratory, was not as gracefully designed as Crittenden Hall; it was merely a two-story box, with mean windows and a half-hearted attempt at an attractive Georgian portico and main entrance. Between nursing home and laboratory was an outdoor walk and stairway, a roofed port set on iron pillars, without walls.
There were several smaller outbuildings which could have been kitchens, labs, storehouses, supply sheds, whatever; I couldn’t even guess. But everything seemed precise, trim, clean and well-preserved.
Then why did I get such a feeling of desolation?
It might have been that joyless day, the earth still sodden, the sky pressing down. It might have been that disconsolate light. Not light at all, really, but just moist steel. Or maybe it was Coburn and my mood.
All I know is that when I put down the binoculars, I had seen nothing that could possibly count against Dr. Telford Gordon Thorndecker and his grant application to the Bingham Foundation. Yet I felt something I struggled to analyze and name.
I stared at those winter-stark buildings on the worn hill, striving to grasp what it was I felt. It came to me on the trip back to Coburn. It wasn’t fear. Exactly. It was dread.
After that little jaunt to the hinterland, Coburn seemed positively sparkling. I counted at least four pedestrians on Main Street. And look! There was a dog lifting his leg at a hydrant. Marvelous!
I parked and locked the car. What I wanted right then was—oh, I could think of a lot of things I wanted: vodka gimlet. Straight cognac. Coffee and Danish. Club sandwich and ale. Hot pastrami and Celery Tonic. Joan Powell. On rye. So I walked across Main Street to the office of the Coburn Sentinel.
It was a storefront with a chipped gold legend on the plate glass window: “Biggest little weekly in the State!” Just inside the door was a stained wooden counter where you could subscribe or buy a want-ad or complain your name was spelled wrong in that front-page story they did on the anniversary party at the Gulek Fat Processing Plant.
Behind the counter were a few exhausted desks,
Maya Banks
Leslie DuBois
Meg Rosoff
Lauren Baratz-Logsted
Sarah M. Ross
Michael Costello
Elise Logan
Nancy A. Collins
Katie Ruggle
Jeffrey Meyers